Classics Books

CHAPTER I A LAMB FOR THE SACRIFICE "Perez," observed Captain Eri cheerfully, "I'm tryin' to average up with the mistakes of Providence." The Captain was seated by the open door of the dining room, in the rocker with the patched cane seat. He was apparently very busy doing something with a piece of fishline and a pair of long-legged rubber boots. Captain Perez, swinging back... more...

INTRODUCTION AND ANALYSIS. The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more... more...

INTRODUCTION. POETIC JUSTICE OF THE EXPOSURE. That the inventors of an infamous fraud should deal to it its death-blow, is the poetic justice of fate. Over the creature, the creator has power of life and death. The creators of Spiritualism abjure its infamy. They decree its death. They condemn it to final destruction. They fasten upon those who continue to practice it the obloquy of history, and the... more...

John Stuart Mill defines Prohibition in this language: “Prohibition: A theory of ‘social rights’ which is nothing short of this—that it is the absolute right of every individual that every other individual shall act in every respect exactly as he ought; that whosoever fails thereof in the smallest particular violates my social rights and entitles me to demand from the legislature the removal of... more...

CHAPTER I THE WESTCOTES OF BAYFIELD A mural tablet in Axcester Parish Church describes Endymion Westcote as "a conspicuous example of that noblest work of God, the English Country Gentleman." Certainly he was a typical one. In almost every district of England you will find a family which, without distinguishing itself in any particular way, has held fast to the comforts of life and the respect... more...

1. A Horror from the Past   drab gray sheet of cloud slipped stealthily from the moon's round face, like a shroud slipping from the face of one long dead, a coldly phosphorescent face from which the eyes had been plucked. Yellow radiance fell toward a calm, oily sea, seeking a narrow bank of fog lying low on the water, penetrating its somber mass like frozen yellow fingers. Vilma Bradley... more...

CHAPTER I. HOW I TUMBLED DOWNHILL. It is not easy for one to believe that he ever was a cub. Of course, I know that I was, and as it was only nine years ago I ought to remember it fairly clearly. It is not so much a mere matter of size, although it is doubtful if any young bear realizes how small he is. My father and mother seemed enormous to me, but, on the other hand, my sister was smaller than I,... more...

"Him?" the local postmaster of Calivada would say, in reply to your question about the quaint little old man who had just ambled away from the desk with a bundle of letters stuffed in his pocket. "Why, that's Lightnin' Bill Jones! We call him Lightnin' because he ain't. Nature didn't give no speed to Bill. No, sir, far as I know, Lightnin' 'ain't... more...

I.   The Beautiful is one of the immortal themes. It cannot die; it grows not old. On the same day with the sun was beauty born, and its life runs parallel with the path of that great beautifier. As a subject for exposition, it is at once easy and difficult: easy, from the affluence of its resources; difficult, from the exactions which its own spirit makes in the use of them. Beauty—what is it? To... more...

Malachi 1:1 An oracle: the word of Yahweh to Israel by Malachi. 1:2 "I have loved you," says Yahweh. Yet you say, "How have you loved us?" "Wasn't Esau Jacob's brother?" says Yahweh, "Yet I loved Jacob; 1:3 but Esau I hated, and made his mountains a desolation, and gave his heritage to the jackals of the wilderness." 1:4 Whereas Edom says, "We are beaten... more...