Classics Books

In the "foreword" to the reprint of this tract in the "Miscellanies" of 1711, Swift remarks: "I have been assured that the suspicion which the supposed author lay under for writing this letter absolutely ruined him with the late ministry." The "late ministry" was the Whig ministry of which Godolphin was the Premier. To this ministry the repeal of the Test Act was a... more...

A VOICE ON THE WINDShe walks with the wind on the windy heightWhen the rocks are loud and the waves are white,And all night long she calls through the night,"O, my children, come home!"Her bleak gown, torn as a tattered cloud,Tosses around her like a shroud,While over the deep her voice rings loud,—"O, my children, come home, come home!O, my children, come home!"Who is she who wanders... more...

Introduction. i. Introduction There are two great rivers of Europe which, in their course, offer a not uninstructive analogy to the Church of God. The Rhine and the Rhone both take their rise from mountain glaciers, and for the first hundred or hundred and fifty miles from their sources they run turbid as glacier streams always are, and for the most part turbulent as mountain torrents. Then they enter... more...

CHAPTER I On the borders of the Forest of Munza-mulgar lived once an old grey fruit-monkey of the name of Mutt-matutta. She had three sons, the eldest Thumma, the next Thimbulla, and the youngest, who was a Nizza-neela, Ummanodda. And they called each other for short, Thumb, Thimble, and Nod. The rickety, tumble-down old wooden hut in which they lived had been built 319 Munza years before by a... more...

CHAPTER IA RATIONAL VOCAL METHODSong, so far as voice-production is concerned, is the result of physiological action, and as voice-production is the basis of all song, it follows that a singing method, to be correct, must be based on the correct physiological use of the vocal organs. The physiology of voice-production lies, therefore, at the very foundation of artistic singing. The proper physiological... more...

INTRODUCTION. I VISITED Naples in the year 1818. On the 8th of December of that year, my companion and I crossed the Bay, to visit the antiquities which are scattered on the shores of Baiae. The translucent and shining waters of the calm sea covered fragments of old Roman villas, which were interlaced by sea-weed, and received diamond tints from the chequering of the sun-beams; the blue and pellucid... more...

THE FOUNTAIN OF MARIBOorTHE QUEEN AND THE ALGREVE The Algreve he his bugle wound   The long night all—The Queen in bower heard the sound,   I’m passion’s thrall. The Queen her little page address’d,   The long night all—“To come to me the Greve request,”   I’m passion’s thrall. He came, before the board stood he,   The long night all—“Wherefore, O Queen, has sent for... more...

BOSTON SICUT PATRIBUS, SIT DEUS NOBIS RALPH WALDO EMERSON [sidenote: Dec. 16, 1773] This poem was read in Faneuil Hall, on the Centennial Anniversary of the "Boston Tea-Party," at which a band of men disguised as Indians had quietly emptied into the sea the taxed tea-chests of three British ships.   The rocky nook with hill-tops three    Looked eastward from the farms,  And twice each... more...

CHAPTER I. TAKE YE AWAY THE STONE. In the gospel by John we read that at the tomb of Lazarus our Lord said to His disciples, “Take ye away the stone.” Before the act of raising Lazarus could be performed, the disciples had their part to do. Christ could have removed the stone with a word. It would have been very easy for Him to have commanded it to roll away, and it would have obeyed His voice, as... more...

CHAPTER I MYSELF "My house, my affairs, my ache and my religion—" I was fifty years old to-day. Half a century has hurried by since I first lay in my mother's wondering arms. To be sure, I am not old; but I can no longer deceive myself into believing that I am still young. After all, the illusion of youth is a mental habit consciously encouraged to defy and face down the reality of age.... more...