Classics Books

THE UTTERMOST FARTHING I   It is not without some misgivings that I at length make public the strange history communicated to me by my lamented friend Humphrey Challoner. The outlook of the narrator is so evidently abnormal, his ethical standards are so remote from those ordinarily current, that the chronicle of his life and actions may not only fail to secure the sympathy of the reader but may even... more...

CHAPTER I. CAREW OF CROMPTON. Had you lived in Breakneckshire twenty years ago, or even any where in the Midlands, it would be superfluous to tell you of Carew of Crompton. Every body thereabout was acquainted with him either personally or by hearsay. You must almost certainly have known somebody who had had an adventure with that eccentric personage—one who had been ridden down by him, for that... more...

When some years ago we took the liberty, in a volume of our so-called "Confessions," to introduce to our reader's acquaintance the gentleman whose name figures in the title page, we subjoined a brief notice, by himself, intimating the intention he entertained of one day giving to the world a farther insight into his life and opinions, under the title of "Loiterings of Arthur... more...

INTRODUCTION. From Pillars of Society to John Gabriel Borkman, Ibsen's plays had followed each other at regular intervals of two years, save when his indignation over the abuse heaped upon Ghosts reduced to a single year the interval between that play and An Enemy of the People. John Gabriel Borkman having appeared in 1896, its successor was expected in 1898; but Christmas came and brought no... more...

Foreword       Anyone who examinesthe Zen arts is immediately struck by how modern they seem. Many of the most famous stone gardens are abstract expressionism pure and simple, created out of found objects. The ceramics of the sixteenth-century Zen artists could be interchanged with the rugged pots of our own contemporary crafts movement and few people would notice a difference. Ancient Zen... more...

CHAPTER I MARJORIE'S HOME In the Maynards' side yard at Rockwell, a swingful of children was slowly swaying back and forth. The swing was one of those big double wooden affairs that hold four people, so the Maynards just filled it comfortably. It was a lovely soft summer day in the very beginning of June; the kind of day that makes anybody feel happy but a little bit subdued. The kind of day... more...

My Dear Elena, We had a conversation once, walking on your terrace, with the wind-rippled olives above and the quietly nodding cypress tufts below—about such writings as you chose to compare with carved cherry-stones. We disagreed, for it seemed to me that the world needed cherry-stone necklaces as much as anything else; and that the only pity was that most of its inhabitants could not afford such... more...

ACT I The hall of EARTH-SPIRIT, Act IV, feebly lighted by an oil lamp on the centre table. Even this is dimmed by a heavy shade. Lulu's picture is gone from the easel, which still stands by the foot of the stairs. The fire-screen and the chair by the ottoman are gone too. Down left is a small tea-table, with a coffee-pot and a cup of black coffee on it, and an arm-chair next it. In this chair,... more...

INTRODUCTION "The Prairie" was the third in order of Fenimore Cooper's Leatherstocking Tales. Its first appearance was in the year 1827. The idea of the story had suggested itself to him, we are told, before he had finished its immediate forerunner, "The Last of the Mohicans." He chose entirely new scenes for it, "resolved to cross the Mississippi and wander over the desolate... more...

In speaking from these words last Sunday morning, and in endeavoring to enforce the great truth which they express, I began with referring to certain facts which characterize that most brutal and ruthless military revolution which has just commenced in France, and the recent news of which made every heart, that cherishes any regard for Freedom and Humanity, burn with indignation. The first statements... more...