Classics Books

PREFACE. In giving an account of the Holy Land, an author, upon examining his materials, finds himself presented with the choice either of simple history on the one hand, or of mere local description on the other; and the character of his book is of course determined by, the selection which he makes of the first or the second of these departments. The volumes on Palestine hitherto laid before the... more...

INTRODUCTION "The Fortune of the Rougons" is the initial volume of the Rougon-Macquart series. Though it was by no means M. Zola's first essay in fiction, it was undoubtedly his first great bid for genuine literary fame, and the foundation of what must necessarily be regarded as his life-work. The idea of writing the "natural and social history of a family under the Second Empire,"... more...

Chapter I I As a boy he constructed so vividly in imagination that he came to believe in the living reality of his creations: for everybody and everything he found names—real names. Inside him somewhere stretched immense playgrounds, compared to which the hay-fields and lawns of his father's estate seemed trivial: plains without horizon, seas deep enough to float the planets like corks, and... more...

THE LOST PASSENGER Charley Norton was bored and unhappy. He stood at the starboard rail of the mail boat gazing out at the cold, bleak rocks of the Labrador coast, dimly visible through fitful gusts of driving snow. Charley Norton and his father's secretary, Hugh Wise, had boarded the ship at St. John's ten days before for the round trip voyage to Hopedale, and during the voyage there had not... more...

Since we have had no stories to-night I will venture, Mr. President, to tell a story that I have heretofore heard at nearly all the banquets I have ever attended. It is a story simply, and you must bear with it kindly. It is a story as told by a friend of us all, who is found in all parts of all countries, who is immoderately fond of a funny story, and who, unfortunately, attempts to tell a funny story... more...

To cast on.—The first interlacement of the cotton on the needle. To cast off.—To knit two stitches, and to pass the first over the second, and so on to the last stitch, which is to be secured by drawing the thread through. To cast over.—To bring the cotton forward round the needle. To narrow.—To lessen, by knitting two stitches together. To seam.—To knit a stitch with the cotton before the... more...

IN IDLE MOMENT "'Are you not frequently idle?' 'Never, brother. When we are not engaged in our traffic we are engaged in our relaxations.'"—BORROW. On the smooth beaches and in the silent bush, where time is not regulated by formalities or shackled by conventions, there delicious lapses—fag-ends of the day to be utilised in a dreamy mood which observes and accepts the... more...

PREFACE A single purpose runs throughout this little book, though different aspects of it are treated in the three several parts. The first part, "The Mystery of Evil," written soon after "The Idea of God," was designed to supply some considerations which for the sake of conciseness had been omitted from that book. Its close kinship with the second part, "The Cosmic Roots of Love... more...

I I once heard him (2) discuss the topic of economy (3) after the following manner. Addressing Critobulus, (4) he said: Tell me, Critobulus, is "economy," like the words "medicine," "carpentry," "building," "smithying," "metal-working," and so forth, the name of a particular kind of knowledge or science? (1) By "economist" we now generally... more...

INTRODUCTORY I first met Geronimo in the summer of 1904, when I acted for him as interpreter of English into Spanish, and vice versa, in selling a war bonnet. After that he always had a pleasant word for me when we met, but never entered into a general conversation with me until he learned that I had once been wounded by a Mexican. As soon as he was told of this, he came to see me and expressed freely... more...