Classics Books

I am very glad that "The Story of the Seven Who Were Hanged" will be read in English. The misfortune of us all is that we know so little, even nothing, about one another—neither about the soul, nor the life, the sufferings, the habits, the inclinations, the aspirations of one another. Literature, which I have the honor to serve, is dear to me just because the noblest task it sets before... more...

CHAPTER I. "My dear," said William Brenton to his wife, "do you think I shall be missed if I go upstairs for a while? I am not feeling at all well." [Illustration: "Do you think I shall be missed?"] "Oh, I'm so sorry, Will," replied Alice, looking concerned; "I will tell them you are indisposed." "No, don't do that," was the answer; "they... more...

THE MARTYR SEX.   Ever since that unfortunate affair in which the mother of mankind was so prominently concerned, the female sex might say, with Shylock, 'Sufferance is the badge of all our tribe.' They are, in fact, an incarnation of the Passive Voice—no mistake about it. 'Ah, gentle dames, it gars me greet,' as Burns pathetically says, to think on all the hardships and... more...

The following Glossary includes the whole of Somerset, East of the River Parret, as well as adjoining parts of Wiltshire and Gloucestershire. West of the Parret many of the words are pronounced very differently indeed, so as to mark strongly the people who use them. [This may be seen more fully developed in two papers, by T. Spencer Baynes, read before the Somersetshire Archaeological Society, entitled... more...

CHAPTER I. CHILDHOOD. My debut upon the world's stage occurred on February 26th, 1845. The scene of this first important event in my adventurous career, being in Scott county, in the State of Iowa. My parents, Isaac and Mary Ann Cody, who were numbered among the pioneers of Iowa, gave to me the name of William Frederick. I was the fourth child in the family. Martha and Julia, my sisters, and... more...

CHAPTER I Abraham Lincoln knew little concerning his progenitors, and rested well content with the scantiness of his knowledge. The character and condition of his father, of whom alone upon that side of the house he had personal cognizance, did not encourage him to pry into the obscurity behind that luckless rover. He was sensitive on the subject; and when he was applied to for information, a brief... more...

ACT I. SCENE I. At the Chancellor's House. COUNSELLOR FLEFFEL, LEWIS BROOK, at Breakfast. Enter a Servant. Counsellor (to the Servant). Take away. But, no—let it stand; my father may chuse some: is he returned? Servant. I'll enquire, Sir. [Exit Servant. Counsellor [rising and viewing himself]. We've made a long breakfast. Lewis. But you have eaten nothing. Counsellor. Why, my dear... more...

Nothing more generally or more recurrently solicits us, in the light of literature, I think, than the interest of our learning how the poet, the true poet, and above all the particular one with whom we may for the moment be concerned, has come into his estate, asserted and preserved his identity, worked out his question of sticking to that and to nothing else; and has so been able to reach us and touch... more...

XX. IN A FOG HE IS SET TO WORK AS A BELL-TOLLER, AND BEHOLDS A HERD OF OCEAN-ELEPHANTS What is this that we sail through? What palpable obscure? What smoke and reek, as if the whole steaming world were revolving on its axis, as a spit? It is a Newfoundland Fog; and we are yet crossing the Grand Banks, wrapt in a mist, that no London in the Novem-berest November ever equaled. The chronometer pronounced... more...

PREFACE. HE object of this book is to explain the modern systems of Book and Newspaper Illustration, and especially the methods of drawing for what is commonly called “process,” on which so many artists are now engaged. There is almost a revolution in illustration at the present time, and both old and young—teachers and scholars—are in want of a handbook for reference when turning to the new... more...