Classics Books

THE RAT-CATCHERS OF THE WABASH "Hey, you swate-scented little heart-warmer!" cried Jimmy Malone, as he lifted his tenth trap, weighted with a struggling muskrat, from the Wabash. "Varmint you may be to all the rist of creation, but you mane a night at Casey's to me." Jimmy whistled softly as he reset the trap. For the moment he forgot that he was five miles from home, that it was a... more...

HOW OLIVER AND DORCAS JANE FOUND THE TRAIL From the time that he had first found, himself alone with them, Oliver had felt sure that the animals could come alive again if they wished. That was one blowy afternoon about a week after his father had been made night engineer and nobody had come into the Museum for several hours. Oliver had been sitting for some time in front of the Buffalo case, wondering... more...

INTRODUCTION In the twentieth century, Colley Cibber’s name has become synonymous with “fool.” Pope’s Dunciad, the culmination of their long quarrel, has done its work well, and Cibber, now too often regarded merely as a pretentious dunce, has been relegated to an undeserved obscurity. The history of this feud is replete with inconsistencies.The image Cibber presents of himself as a charming,... more...

WHAT IS A FOREST? First, What is forestry? Forestry is the knowledge of the forest. In particular, it is the art of handling the forest so that it will render whatever service is required of it without being impoverished or destroyed. For example, a forest may be handled so as to produce saw logs, telegraph poles, barrel hoops, firewood, tan bark, or turpentine. The main purpose of its treatment may be... more...

It is the fundamental premise of instrument-science that a device for detecting or measuring a physical quantity can be based on any phenomenon associated with that physical quantity. Although the instrumentation of electrostatics in the 18th century, for example, relied mainly on the phenomena of attraction and repulsion and the ubiquitous sparks and other luminosities of frictional electricity, even... more...

It is an unromantic fact, but one which cannot fail to be of interest at the present time, that the remarkable development of the graver's art in England during the latter part of the eighteenth century was due, in a measure at least, to—Protection. In the middle of the century our trade in engravings was still an import one, English print-sellers being obliged to pay hard cash for the prints... more...

e came up out of the Great Sea-Swamp of Venus like old Father Neptune. He was covered with mud and slime. Seaweed hung from his cheap diving-suit. Brine dripped from his arms that hung limp and weary; it ran from his torso and made a dark trail in the sand.A flash of intuition hit Russell. He knew now how to win this fight.Without even looking back, he stood for a moment as if fighting to keep on his... more...

THE WOMAN AND THE EXILE Peter Mowbray first saw her at the corner of Palace Square nearest the river. He was not in the least the kind of young man who appraises passing women, very far from a starer. At the instant their eyes met, his thoughts had been occupied with work matters and the trickery of events. In fact, there was so much to do that he resented the intrusion, found himself hoping in the... more...

CHAPTER ONE Raymonde listened. The noise was repeated twice over, clearly enough to be distinguished from the medley of vague sounds that formed the great silence of the night and yet too faintly to enable her to tell whether it was near or far, within the walls of the big country-house, or outside, among the murky recesses of the park. She rose softly. Her window was half open: she flung it back wide.... more...

A terrace high above the sea, which is seen far below, through vast masses of woodland. Steps lead down towards the water, from the centre of the scene. To the left, a large, low country-house, of unpretentious character, in the style of the late eighteenth century. Gardens belonging to the same period, and now somewhat neglected and overgrown, stretch on either side. The edge of the terrace is marked... more...