Classics Books

PÚSHKIN, THE RUSSIAN POET. No. I. Sketch of Púshkin's Life and Works, by Thomas B. Shaw, B.A. of Cambridge, Adjunct Professor of English Literature in the Imperial Alexander Lyceum, Translator of "The Heretic," &c. &c. Among the many striking analogies which exist between the physical and intellectual creations, and exhibit the uniform method adopted by Supreme Wisdom in the... more...

THE TWENTY-FOURTH BOOK OF HOMER'S ILIAD, Attempted in English Hexameters. [It may be thought idle or presumptuous to make a new attempt towards the naturalization among us of any measure based on the ancient hexameter. Even Mr Southey has not been in general successful in such efforts; yet no one can deny that here and there—as, for instance, at the opening of his Vision of Judgment, and in his... more...

PROEM I LOVE the old melodious laysWhich softly melt the ages through,The songs of Spenser's golden days,Arcadian Sidney's silvery phrase,Sprinkling our noon of time with freshest morning dew. Yet, vainly in my quiet hoursTo breathe their marvellous notes I try;I feel them, as the leaves and flowersIn silence feel the dewy showers,And drink with glad, still lips the blessing of the sky. The... more...

I. BOYHOOD I It was dawn on the first of May, 1877. From the sea the mist came sweeping in, in a gray trail that lay heavily on the water. Here and there there was a movement in it; it seemed about to lift, but closed in again, leaving only a strip of shore with two old boats lying keel uppermost upon it. The prow of a third boat and a bit of breakwater showed dimly in the mist a few paces off. At... more...

ACT I Hildegarde is sitting at a desk, writing . John, in a lounging attitude, is reading a newspaper . Enter Tranto, back . TRANTO. Good evening. HILDEGARDE ( turning slightly in her seat and giving him her left hand, the right still holding a pen ). Good evening. Excuse me one moment. TRANTO. All right about my dining here to-night? (Hildegarde nods .) Larder equal to the strain? HILDEGARDE.... more...

Chap. I. Being an Introduction to the whole Work. I doubt not but the title of this book will amuse some of my reading friends a little at first; they will make a pause, perhaps, as they do at a witch’s prayer, and be some whether they had best look into it or no, lest they should really raise the Devil by reading his story. Children and old women have told themselves so many frightful things of the... more...

CHAPTER I. It was about the fifteenth year of the reign of the Emperor Tiberius that I, Genevieve, a slave of Aurelia, the wife of a Roman named Gremion and located in Marseilles, departed from Marseilles with my mistress and her husband for Judea. The dominion of the Romans, at that period, extended from one end of the world to the other. Judea had submitted to them, as a dependence of the province of... more...

My Lords and Gentlemen,   hough the Author of the ensuing Tract may be below your Notice, as an Individual, yet the Subject he treats upon, highly deserves your most serious Attention. In the present unhappy Disputes between the Parent-State and the Colonies, he undertakes to point out, what Measures the Landed-Interest of Great-Britain and Ireland ought to pursue in future, for the Sake of themselves... more...

ACT I. A plain Tradesman's Room, with old fashioned Furniture. Master Clarenbach. (Busied with a design.) Clar. So!--there is my design, and I think it is a pretty good one. It will make a substantial building.--When I am gone, people will say, when they look at the pile, "Master Clarenbach was a man that knew what he was about." SCENE II. Enter Lewis. Lew. Deputy Clarenbach presents his... more...

It may be regarded as one of the commendable peculiarities of the English language that, despite provincialisms, vulgarisms, neglected education, foreign accent, and the various corrupting influences to which it is subjected, it may be understood wherever it is heard, whatever differences of distance or associations may have existed between the speaker and the listener, both claiming familiarity with... more...