Classics Books

CHAPTER I. A FAILURE. He could see from the top of the hill, down which the road wound to the river, that the bridge was gone, and he paused for a moment with an involuntary feeling that it was useless to go forward; but remembering that his way led across, at all events, he walked down to the bank. There it ran, broad, rapid, and in places apparently deep. He looked up and down in vain: no lodged... more...

ACT I The Act takes place in autumn in a large village. The Scene represents PETER'S roomy hut. PETER is sitting on a wooden bench, mending a horse-collar. ANÍSYA and AKOULÍNA are spinning, and singing a part-song. Peter (looking out of the window). The horses have got loose again. If we don't look out they'll be killing the colt. Nikíta! Hey, Nikíta! Is the fellow deaf?... more...

hen the first strong sunlight of May covered the tree-arched avenues of Center City with green, the riots started. The people gathered in angry knots outside the city hall, met in the park and littered its walks with newspapers and magazines as they gobbled up editorial comment at a furious rate, slipped with dark of night through back alleys and planned things with furious futility. Center City's... more...

(SCENE 1.)     Enter Don Pedro Gusman, Henrico and Manuell, his sons;    Don Fernando and Eleanora, his daughter, and Teniente. Pedr. Gentlemen, y'have much honourd me to takeSuch entertainement, but y'are welcome all.'Twas my desire to have your companyAt parting: heaven knowes when we shall meete againe. Ten. You are for France then too? Man. I wayte on my father. Pedr.... more...

CHAPTER I THE SUBTERRANEAN WAY The slanting rays of afternoon sunshine, pouring through stone arches, lay in broad, golden bands, upon the flags of the Convent cloister. The old lay-sister, Mary Antony, stepped from the cool shade of the cell passage and, blinking at the sunshine, shuffled slowly to her appointed post at the top of the crypt steps, up which would shortly pass the silent procession of... more...

THE CAN WITH THE DIAMOND NOTCH I [Illustration: Festus Clasby] The name stood out in chaste white letters from the black background of the signboard. Indeed the name might be said to spring from the landscape, for this shop jumped from its rural setting with an air of aggression. It was a commercial oasis on a desert of grass. It proclaimed the clash of two civilisations. There were the hills, pitched... more...

I. As Don Ippolito passed down the long narrow calle or footway leading from the Campo San Stefano to the Grand Canal in Venice, he peered anxiously about him: now turning for a backward look up the calle, where there was no living thing in sight but a cat on a garden gate; now running a quick eye along the palace walls that rose vast on either hand and notched the slender strip of blue sky visible... more...

CHAPTER I AUNT LU ARRIVES "Bunny! Bunny! Wake up! It's time!" "Wha—what's matter?" sleepily mumbled little Bunny Brown, making his words all run together, like molasses candy that has been out in the hot sun. "What's the matter, Sue?" Bunny asked, now that he had his eyes open. He looked over the side of his small bed to see his sister standing beside it. She... more...

CHAPTER I Every day the factory whistle bellowed forth its shrill, roaring, trembling noises into the smoke-begrimed and greasy atmosphere of the workingmen's suburb; and obedient to the summons of the power of steam, people poured out of little gray houses into the street. With somber faces they hastened forward like frightened roaches, their muscles stiff from insufficient sleep. In the chill... more...

CHAPTER I. "THREE ON A DOORSTEP." In a poor part of London, but not in the very poorest part—two children sat on a certain autumn evening, side by side on a doorstep. The eldest might have been ten, the youngest eight. The eldest was a girl, the youngest a boy. Drawn up in front of these children, looking into their little faces with hungry, loving, pathetic eyes, lay a mongrel dog. The three... more...