Classics Books

CHAPTER I.                "Incubo. Look to the cavalier. What ails he?                      . . . . .               Hostess. And in such good clothes, too!"                        BEAUMONT AND FLETCHER: Love's Pilgrimage.      "Theod. I have a brother—there my last hope!.              Thus... more...

PROLOGUE. A Castle in Normandy. Interior of the Hall. Roofs of a City seen thro' Windows. HENRY and BECKET at chess. HENRY.So then our good Archbishop TheobaldLies dying. BECKET.I am grieved to know as much. HENRY.But we must have a mightier man than heFor his successor. BECKET.                   Have you thought of one? HENRY.A cleric lately poison'd his own mother,And... more...

AN ESSAY ON THE MATERIAL AND SPIRITUAL UNIVERSE. It is with humility really unassumed—it is with a sentiment even of awe—that I pen the opening sentence of this work: for of all conceivable subjects I approach the reader with the most solemn—the most comprehensive—the most difficult—the most august. What terms shall I find sufficiently simple in their sublimity—sufficiently sublime in their... more...

THE MYSTERY OF WITCH-FACE MOUNTAIN. I. The beetling crags that hang here and there above the gorge hold in their rugged rock sculpture no facial similitudes, no suggestions. The jagged outlines of shelving bluffs delineate no gigantic profile against the sky beyond. One might seek far and near, and scan the vast slope with alert and expectant gaze, and view naught of the semblance that from time... more...

CHAPTER I. MRS. HARDY'S RESOLUTION. "What are you thinking of, Frank?" Mrs. Hardy asked her husband one evening, after an unusually long silence on his part. "Well, my dear, I was thinking of a good many things. In the first place, I think, I began with wondering what I should make of the boys; and that led to such a train of thoughts about ourselves and our circumstances that I hardly... more...

CHAPTER I "A gentleman called to see you when you were out last night, sir," said Mrs. Medley, my landlady, removing the last of the breakfast things. "Yes?" I said, in my affable way. "A gentleman," said Mrs. Medley meditatively, "with a very powerful voice." "Caruso?" "Sir?" "I said, did he leave a name?" "Yes, sir. Mr. Ukridge."... more...

ACT I. SCENE I.—The Hall of an Inn. Enter TOM FASHION and LORY, POSTILION following with a portmanteau. Fash. Lory, pay the postboy, and take the portmanteau. Lory. [Aside to TOM FASHION.] Faith, sir, we had better let the postboy take the portmanteau and pay himself. Fash. [Aside to LORY.] Why, sure, there's something left in it! Lory. Not a rag, upon my honour, sir! We eat the last of your... more...

It is only when a building entirely fulfils the purpose for which it is intended and bears the impress of a genuine style that it takes rank as a work of architecture. This definition, exclusive though it at first sight appears, brings within the province of the art every structure which combines with practical utility beauty of design and execution, from the humblest cottage to the most dignified... more...

Just two weeks before the S. S. Herringbone of the Interstellar Exploration, Examination (and Exploitation) Service was due to start her return journey to Earth, one of her scouts disconcertingly reported the discovery of intelligent life in the Virago System. "Thirteen planets," Captain Iversen snarled, wishing there were someone on whom he could place the blame for this mischance, "and we... more...

CHAPTER I. A HOME BROKEN UP. W ell, mother, one thing is certain—something has got to be done. It is no use crying over spilt milk, that I can see. It is a horribly bad business, but grieving over it won't make it any better. What one has got to do is to decide on some plan or other, and then set to work to carry it out." The speaker, Wilfrid Renshaw, was a boy between fifteen and sixteen... more...