Classics Books

The author of Lavengro, the Scholar, the Gypsy, and the Priest has after his fitful hour come into his own, and there abides securely.  Borrow’s books,—carelessly written, impatient, petulant, in parts repellant,—have been found so full of the elixir of life, of the charm of existence, of the glory of motion, so instinct with character, and mood, and wayward fancy, that their very names are... more...

Chapter One. The Ban. The grey London sunlight shone on the face of the patient as she sat facing the long window of the consulting-room, on the finely cut features, sensitive lips, and clear, dilated eyes. The doctor sat in the shadow, leaning back in his chair, tapping softly with his fingers upon the desk. “And you must not be afraid,” he said, following a vigorous cross-questioning with his... more...

ON THE STREETS OF ANTWERP. “Good-bye, Elmer, and you, too, Rooster!” “It’s too bad we have to hurry home, and break up the Big Five Motorcycle Boys’ combination, just when we’ve been having such royal good times over in the country of the Great War!” “But there was nothing else to do, Elmer, when you got that cable message telling you to take the first steamer home, as your mother was... more...

Chapter I. For a thousand years after the schools of Athens were closed by Justinian philosophy made no real advance; no essentially new ideas about the constitution of nature, the workings of mind, or the ends of life were put forward. It would be false to say that during this period no progress was made. The civilisation of the Roman Empire was extended far beyond its ancient frontiers; and, although... more...

THE PICTURE ALPHABET ERIE, PA.OLIVER SPAFFORD. ALPHABETBCDEFGHIJKLMNOPQRSTUVWXYZ& a b c d e f g h i j k l m n o p q r s t u v w x y z fi ff fl ffi ffl 1 2 3 4 5 6 7 8 9 10Antelope aBBull bCCat cDDog dEEagle eFFox fGGoat gHHawk hIIbex iJElk jKKite kLLynx lMMonkey mNNylghau nOOwl oPPig pQQuail qRRaccoon rSSnipe sTTortoise tUUrus VVulture vWWalrus wXThere is no word in the English language beginning... more...

INTRODUCTION. "Inest sua gratia parvis." "Les petites choses n'ont de valeur que de la part de ceux qui peuvent s'élever aux grandes."—De Jouy. There is no department of inquiry in which it is not full as easy to miss truth as to find it, even when the materials from which truth is to be drawn are actually present to our senses. A child does not catch a gold fish in water... more...

INTRODUCTION. The Cratylus has always been a source of perplexity to the student of Plato. While in fancy and humour, and perfection of style and metaphysical originality, this dialogue may be ranked with the best of the Platonic writings, there has been an uncertainty about the motive of the piece, which interpreters have hitherto not succeeded in dispelling. We need not suppose that Plato used words... more...

CHAPTER IWILLIAM GOES TO THE PICTURES It all began with William’s aunt, who was in a good temper that morning, and gave him a shilling for posting a letter for her and carrying her parcels from the grocer’s. “Buy some sweets or go to the Pictures,” she said carelessly, as she gave it to him. William walked slowly down the road, gazing thoughtfully at the coin. After deep... more...

Fielding's third great novel has been the subject of much more discordant judgments than either of its forerunners. If we take the period since its appearance as covering four generations, we find the greatest authority in the earliest, Johnson, speaking of it with something more nearly approaching to enthusiasm than he allowed himself in reference to any other work of an author, to whom he was on... more...

THE GREAT STONE BOOK "The crust of our earth is a great cemetery where the rocks are tombstones on which the buried dead have written their own epitaphs. They tell us who they were, and when and where they lived."—Louis Agassiz. Deep in the ground, and high and dry on the sides of mountains, belts of limestone and sandstone and slate lie on the ancient granite ribs of the earth. They are the... more...