Fiction Books

CHAPTER I IN WHICH I LEARN FOR THE FIRST TIME THAT I HAVE AN UNCLE The first remembrance I hold of my father is of a dark-suited tall man of an unchanging gravity on all occasions. He had, moreover, a manner of saying "Ay, ay," which I early came to regard as the prologue to some definite prohibition; as when I asked him (I being then but a scrubbed boy) for his great sword, to give it to a... more...

THE ENCHANTED RING. One of the most imposing buildings in Boston twenty years ago was a granite hotel, whose western windows looked upon a graveyard. Passing up a flight of steps, and beneath a portico of dignified granite columns, and so through an embarrassing pair of swinging-doors to the roomy vestibule,—you would there pause a moment to spit upon the black-and-white tessellated pavement. Having... more...

A Thrilling Experience MIGHT vs. RIGHT It is some years since I was station-master, telegraph-operator, baggage-agent and ticket seller at a little village near some valuable oil wells. The station-house was a little distance from the unpretentious thoroughfare that had grown up in a day, and my duties were so arduous that I had scarcely leisure for a weekly flitting to a certain mansion on the hill... more...

"Flat-chested Faye, flat-chested Faye," chanted the girls on the table next to Faye and Rebecca's. The large hall smelled of cabbages, potatoes and baked beans, and everyone else was talking and eating and moving chairs so loudly that Faye could hardly hear herself think. "Just ignore them," suggested Rebecca. Faye didn't say anything. She opened her lunchbox and fished around... more...

WHAT IS ‘POPULAR POETRY’? I think it was a Young Ireland Society that set my mind running on ‘popular poetry.’ We used to discuss everything that was known to us about Ireland, and especially Irish literature and Irish history. We had no Gaelic, but paid great honour to the Irish poets who wrote in English, and quoted them in our speeches. I could have told you at that time the dates of the... more...

PREFACE You will ask me, perhaps, even you who are all charity, why parts of this book are what they are. I can only answer with another question: Why are we what we are? But I warn you that it would not be fair to take any of Ideala's opinions, here given, as final. Much of what she thought was the mere effervescence of a strong mind in a state of fermentation, a mind passing successively through... more...

CHAPTER I The sun shone, that morning, and even from a city office window the Spring wind could be felt, sweet and keen and heady, making you feel that you wanted to be out in it, laughing, facing toward the exciting, happy things Spring was sure to be bringing you, if you only went a little way to meet them—just a little way! Marjorie Ellison, bending over a filing cabinet in a small and solitary... more...

The Place de France is the town's hub. It marks the end of Boulevard Pasteur, the main drag of the westernized part of the city, and the beginning of Rue de la Liberté, which leads down to the Grand Socco and the medina. In a three-minute walk from the Place de France you can go from an ultra-modern, California-like resort to the Baghdad of Harun al-Rashid. It's quite a town, Tangier.... more...

"I'LL LEAVE IT TO YOU" A plan of the stage of the New Theatre, London, set for the play is given at the end of the book.{} Scene.—The Hall of Mulberry Manor. All the furniture looks very comfortable. Through the window can be seen a glimpse of a snowy garden; there it a log fire. The light is a little dim, being late afternoon. Seated on the table swinging her legs is Joyce, she is... more...

It was not a sinister silence. No silence is sinister until it acquires a background of understandable menace. Here there was only the night quiet of Maternity, the silence of noiseless rubber heels on the hospital corridor floor, the faint brush of starched white skirts brushing through doorways into darkened and semi-darkened rooms. But there was something wrong with the silence in the "basket... more...