Fiction Books

Grateful acknowledgment for permission to include the stories and other material in this volume is made to the following authors, editors, publishers, and copyright holders: To The Pictorial Review Company and Miss Edwina Stanton Babcock for permission to reprint "The Excursion," first published in The Pictorial Review; to The Century Company and Mr. Thomas Beer for permission to reprint... more...

INTRODUCTION I should like to take the text for my remarks this year on the American Short Story from that notable volume of criticism, "Our America" by Waldo Frank. For the past year, it has been a source of much questioning to me to determine why American fiction, as well as the other arts, fails so conspicuously in presenting a national soul, why it fails to measure sincerely the heights and... more...

I suppose there is no one of us who can honestly deny that he is interested in one way or another in the American short story. Indeed, it is hard to find a man anywhere who does not enjoy telling a good story. But there are some people born with the gift of telling a good story better than others, and of telling it in such a way that a great many people can enjoy its flavor. Most of you are acquainted... more...

INTRODUCTION I was talking the other day to Alfred Coppard, who has steered more successfully than most English story writers away from the Scylla and Charybdis of the modern artist. He told me that he had been reading several new novels and volumes of short stories by contemporary American writers with that awakened interest in the civilization we are framing which is so noticeable among English... more...

CHAPTER I The day preceding Beth's birth was a grey day, a serene grey day, awesome with a certain solemnity, and singularly significant to those who seek a sign. There is a quiet mood, an inner calm, to which a grey day adds peculiar solace. It is like the relief which follows after tears, when hope begins to revive, and the warm blood throbs rebelliously to be free of the shackles of grief; a... more...

CHAPTER I THE FACE AT THE WINDOW Like a clap of thunder, the north wind, rushing seawards, seemed suddenly to threaten the ancient little building with destruction. The window sashes rattled, the beams which supported the roof creaked and groaned, the oil lamps by which alone the place was lit swung perilously in their chains. A row of maps designed for the instruction of the young—the place was a... more...

ACT I The Wood-cutter's Cottage The cottage-scene in The Blue Bird: the interior of a wood-cutter's cabin, simple and rustic in appearance, but in no way poverty-stricken. A recessed fireplace containing the dying embers of a wood-fire. Kitchen-utensils, a cupboard, a bread-pan, a grandfather's clock, a spinning-wheel, a water-tap, etc. A dog and a cat asleep. A large blue-and-white... more...

The Tales of the Crusaders was determined upon as the title of the following series of the Novels, rather by the advice of the few friends whom, death has now rendered still fewer, than by the author's own taste. Not but that he saw plainly enough the interest which might be excited by the very name of the Crusaders, but he was conscious at the same time that that interest was of a character which... more...

A LIVING BOOK   here is only one Book that never grows old. For thousands of years men have been writing books. Most books are forgotten soon after they are written; a few of the best and wisest are remembered for a time. But all at last grow old; new discoveries are made; new ideas arise; the old books are out of date; their usefulness is at an end. Students are the only people who still care to read... more...

FOREWORD "Camerado, this is no book;Who touches this touches a man." Walt Whitman's relation to his work was more personal than that of most poets. He was, in a larger sense, a man of one book, and this book, issued and reissued at various periods of the poet's life, was, at each issuance, the latest expression of his development. The infinite care he gave to his work; the continual... more...