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A note about this story This story is from my collection, "A Place So Foreign and Eight More," published by Four Walls Eight Windows Press in September, 2003, ISBN 1568582862. I've released this story, along with five others, under the terms of a Creative Commons license that gives you, the reader, a bunch of rights that copyright normally reserves for me, the creator. I recently did the... more...

INTRODUCTION The publishing history of this translation has been sketched by Cross, in his History of Henry Fielding, and may simply be summarized here. The first edition, entitled Ovid's Art of Love Paraphrased and Adapted to the Present Time (or Times) was first issued in February, 1747, and was advertised in the Gentleman's and Scots Magazines in that month. During March, further... more...

PREFACE A picture of life in the fifth century must needs contain much which will be painful to any reader, and which the young and innocent will do well to leave altogether unread. It has to represent a very hideous, though a very great, age; one of those critical and cardinal eras in the history of the human race, in which virtues and vices manifest themselves side by side—even, at times, in the... more...

Hits on the head are bad! But if you wake up looking at a beautiful man, that's good! But if you're in a camp kitchen handcuffed to a stove in the middle of the night, that's bad! But if that beautiful man has the key to the handcuffs, that's good! If he won't uncuff you until he's told you exactly what he thinks of you...

While Professor Cargill lectured from the rostrum, Neal Pardeau prowled the dark auditorium. This, he knew, was the place to find them. Here was where they whispered and plotted and schemed—feeling safe in this pure, hard core of patriotism. Safe because Cargill was the Director of Education in the New State, just as Pardeau was the Director of Public Security. Safe because Cargill's lectures... more...

SUZANNE CARROLL Though J. H. jeer And "Smith" incline to frown, I do not fear To write these verses down And publish them in town. The solemn world knows well that I'm no poet; So what care I if two gay scoffers know it? Buck up, my Muse! Wing high thy skyward way, And don't refuse To let me say my say As bravely as I may. To praise a lady fair I father verses, Which Admiration... more...

IA la sueur de ton visaigeTu gagnerois ta pauvre vie,Après long travail et usaige,Voicy lamortqui te convie. The quatrain in old French written below one of Holbein's pictures is profoundly sad in its simplicity. The engraving represents a ploughman driving his plough through a field. A vast expanse of country stretches away in the distance, with some poor cabins here and there; the sun is... more...

CHAPTER I: CHARON MAKES A DISCOVERY Charon, the Ferryman of renown, was cruising slowly along the Styx one pleasant Friday morning not long ago, and as he paddled idly on he chuckled mildly to himself as he thought of the monopoly in ferriage which in the course of years he had managed to build up. “It’s a great thing,” he said, with a smirk of satisfaction—“it’s a great thing to be the... more...

by: Various
STORY ABOUT THE WORD NO. BY T. S. ARTHUR. "There is a word, my son, a very little word, in the English language, the right use of which it is all important that you should learn," Mr. Howland said to his son Thomas, who was about leaving the paternal roof for a residence in a neighboring city, never again, perchance, to make one of the little circle that had so long gathered in the family... more...

THE SWIM AT INDIAN HEAD At Indian Head, Maryland, are the government proving-grounds, where the racket of great guns and splintering of targets are a deterrent to the miscellaneous visitations of picnics. Trouble has been frequently associated with this neighborhood, as it is now suggested in the noisy symbolry of war. In prehistoric days it was the site of an aboriginal town, whose denizens were like... more...