Fiction Books

UPS AND DOWNS; OR, DAVID STUART'S ACCOUNT OF HIS PILGRIMAGE. Old David Stuart was the picture of health—a personification of contentment. When I knew him, his years must have considerably exceeded threescore; but his good-natured face was as ruddy as health could make it; his hair, though mingled with grey, was as thick and strong as if he had been but twenty; his person was still muscular and... more...

Section 1. Socrates begins the Timaeus with a summary of the Republic. He lightly touches upon a few points,—the division of labour and distribution of the citizens into classes, the double nature and training of the guardians, the community of property and of women and children. But he makes no mention of the second education, or of the government of philosophers. And now he desires to see the ideal... more...

OLD PORTRAITS AND MODERN SKETCHES Inscribed as follows, when first collected in book-form:—To Dr. G. BAILEY, of the National Era, Washington, D. C., thesesketches, many of which originally appeared in the columns of thepaper under his editorial supervision, are, in their present form,offered as a token of the esteem and confidence which years ofpolitical and literary communion have justified and... more...

Gottfried Keller may fitly be called the greatest narrative writer that Switzerland has ever produced. Born July 19, 1819, near Zurich, he was reared in direst poverty. By dint of the hardest labor and by practicing the utmost frugality, his father was barely able to provide bread for wife and children. But in the midst of this penury the genius of his young son Gottfried expanded. As a mere child he... more...

THE FIRST OF THE MIKADOS. The year 1 in Japan is the same date as 660 B.C. of the Christian era, so that Japan is now in its twenty-sixth century. Then everything began. Before that date all is mystery and mythology. After that date there is something resembling history, though in the early times it is an odd mixture of history and fable. As for the gods of ancient Japan, they were many in number, and... more...

CHAPTER I A RENCONTRE There was no particular reason why, after having left the Opera House, I should have retraced my steps and taken my place once more amongst the throng of people who stood about in the entresol, exchanging greetings and waiting for their carriages. A backward glance as I had been about to turn into the Place de l'Opera had arrested my somewhat hurried departure. The night was... more...

I have been all my life a sort of amphibious animal, having, like many an old Roman, learned to swim long before I had learned to read. The bounding backs of the billows were my only rocking-horse when I was a child, and dearly I loved to ride them when a fresh breeze was blowing. I rarely tired in the water, where I often amused myself for hours together. I grew up with such a liking for the exercise,... more...

I February, 1918. I am sick of my life—The war has robbed it of all that a young man can find of joy. I look at my mutilated face before I replace the black patch over the left eye, and I realize that, with my crooked shoulder, and the leg gone from the right knee downwards, that no woman can feel emotion for me again in this world. So be it—I must be a philosopher. Mercifully I have no near... more...

CHAPTER I. ——"How graves give up their dead. And how the night air hideous grows With shrieks!" MIDNIGHT.—THE HAIL-STORM.—THE DREADFUL VISITOR.—THE VAMPYRE. The solemn tones of an old cathedral clock have announced midnight—the air is thick and heavy—a strange, death like stillness pervades all nature. Like the ominous calm which precedes some more than usually terrific outbreak... more...

CHAPTER I VIVIE AND NORIE The date when this story begins is a Saturday afternoon in June, 1900, about 3 p.m. The scene is the western room of a suite of offices on the fifth floor of a house in Chancery Lane, the offices of Fraser and Warren, Consultant Actuaries and Accountants. There is a long window facing west, the central part of which is open, affording a passage out on to a parapet. Through... more...