Fiction Books

THE FIRST DINNER This is the story of a year, beginning on New Year's eve. In the main it is the story of four—two artists and two writers—and of a paper which these four started. Three of them—the artists and one of the writers—toiled and dwelt together in rooms near Union Square, and earned a good deal of money sometimes, when matters went well. The fourth—the other writer—did... more...

Introduction. Had Rabelais never written his strange and marvellous romance, no one would ever have imagined the possibility of its production. It stands outside other things—a mixture of mad mirth and gravity, of folly and reason, of childishness and grandeur, of the commonplace and the out-of-the-way, of popular verve and polished humanism, of mother-wit and learning, of baseness and nobility, of... more...

CHAPTER I—THE PARSONAGE All true histories contain instruction; though, in some, the treasure may be hard to find, and when found, so trivial in quantity, that the dry, shrivelled kernel scarcely compensates for the trouble of cracking the nut.  Whether this be the case with my history or not, I am hardly competent to judge.  I sometimes think it might prove useful to some, and entertaining to... more...

ELECTRICITY. Some of the phenomena of electricity are manifested upon so large a scale as to be thrust upon the attention of everybody. Thus lightning, which accompanies so many showers in warm weather in almost every latitude, has always excited in some individuals a superstitious awe, as being an exhibition of supernatural agency; and probably every one feels more or less dread of it during a... more...

I. In Ypres JULY, 1915. My mouth does not get so dry as once it did, I notice, when walking in from Suicide Corner to the Cloth Hall. There I was this summer day, in Ypres again, in a silence like a threat, amid ruins which might have been in Central Asia, and I, the last man on earth, contemplating them. There was something bumping somewhere, but it was not in Ypres, and no notice is taken in Flanders... more...

CHAPTER I HERO VERSUS GENTLEMAN Miss Fanny Glen's especial detestation was an assumption of authority on the part of the other sex. If there was a being on earth to whom she would not submit, it was to a masterful man; such a man as, if appearances were a criterion, Rhett Sempland at that moment assumed to be. The contrast between the two was amusing, or would have been had not the atmosphere been... more...

CHAPTER I When I was a child I lived in a small sea-coast town, with wide, flat sands. The only beautiful thing in the place—a town of no distinction—were the sunsets over this vast, level expanse. I remember them at intervals, as one recalls things seen passing in a train through a solitary landscape. I seem to see myself, a child with a child's imagination, standing on those wet sands,... more...

THE OLD STONE HOUSE.  was riding along one autumn day through a certain wooded portion of New York State, when I came suddenly upon an old stone house in which the marks of age were in such startling contrast to its unfinished condition that I involuntarily stopped my horse and took a long survey of the lonesome structure. Embowered in a forest which had so grown in thickness and height since the... more...

CHAPTER I A WORRIED GIRL Four girls sat on four chairs, in four different corners of the room. They sat on the chairs because they were really too tired to stand longer, and the reason for the occupancy of the corners of the apartment was self-evident. There was no other available space. For the center of the chamber was littered to overflowing with trunks, suitcases and valises, in various stages of... more...

INTRODUCTION. In the Meno, Anytus had parted from Socrates with the significant words: 'That in any city, and particularly in the city of Athens, it is easier to do men harm than to do them good;' and Socrates was anticipating another opportunity of talking with him. In the Euthyphro, Socrates is awaiting his trial for impiety. But before the trial begins, Plato would like to put the world on... more...