Fiction Books

Showing: 1841-1850 results of 11816

PREFACE he cultivation of asparagus for home use as well as for market is so rapidly increasing, and reliable information pertaining to it is so frequently asked for, that a book on this subject is evidently needed. While all works on vegetable culture treat more or less extensively on its cultivation, so far there has been no book exclusively devoted to asparagus published in America. Asparagus is one... more...

Chapter I I feel little reluctance in complying with your request. You know not fully the cause of my sorrows. You are a stranger to the depth of my distresses. Hence your efforts at consolation must necessarily fail. Yet the tale that I am going to tell is not intended as a claim upon your sympathy. In the midst of my despair, I do not disdain to contribute what little I can to the benefit of mankind.... more...

CHAPTER I. STRUCTURE, GROWTH AND DISTRIBUTION. Relation of bacteriology to dairying. The arts which have been developed by mankind have been the outgrowth of experience. Man first learned by doing, how to perform these various activities, and a scientific knowledge of the underlying principles which govern these processes was later developed. The art of dairying has been practiced from time immemorial,... more...

Prologue. A weight had fallen from him—the weight of a lifetime; the galling, hopeless, demoralising weight which had paralysed his energies, sterilised his brain, and, in the case of a subject less clear-sighted, would have brought him down to drink or suicide, possibly both. And now it had fallen from him. The man on the mountain top looked around, and as he did so, something of buoyancy that he... more...

CHAPTER I HISTORICAL EVIDENCE In ‘What was the Gunpowder Plot? The Traditional Story tested by Original Evidence,’ Father Gerard has set forth all the difficulties he found while sifting the accessible evidence, and has deduced from his examination a result which, though somewhat vague in itself, leaves upon his readers a very distinct impression that the celebrated conspiracy was mainly, if... more...

PREFACE "The Portrait of a Lady" was, like "Roderick Hudson," begun in Florence, during three months spent there in the spring of 1879. Like "Roderick" and like "The American," it had been designed for publication in "The Atlantic Monthly," where it began to appear in 1880. It differed from its two predecessors, however, in finding a course also open to it, from... more...

INTRODUCTION. In placing this booklet before the great fraternity of American trappers, the author does not propose to exercise any pedagogical influence upon the truly professional trapper, who, seasoned in the hard school of experience, knows the animals he is seeking, like a mother knows her child. It is his wish, however, to assist and guide the amateur to a greater success. Practically all... more...

It has happened to me, on various occasions, to find myself in a certain edifice which would appear to have some of the characteristics of a public exchange. Its interior is a spacious hall, with a pavement of white marble. Overhead is a lofty dome, supported by long rows of pillars of fantastic architecture, the idea of which was probably taken from the Moorish ruins of the Alhambra, or perhaps from... more...

Hampered as she was by the child in her arms, the woman was running less fleetly now. A wave of exultation swept over Guldran, drowning out the uneasy feeling of guilt at disobeying orders. The instructions were mandatory and concise: "No capture must be attempted individually. In the event of sighting any form of human life, the ship MUST be notified immediately. All small craft must be back at... more...

Chapter One Anton Von Barwig rapped on the conductor's desk for silence and laid down his baton. The hundred men constituting the Leipsic Philharmonic Orchestra stopped playing as if by magic, and those who looked up from their music saw in their leader's face, for the first time in their three years' experience under his direction, a pained expression of helplessness. "Either I... more...