Fiction Books

To cast on.—The first interlacement of the cotton on the needle. To cast off.—To knit two stitches, and to pass the first over the second, and so on to the last stitch, which is to be secured by drawing the thread through. To cast over.—To bring the cotton forward round the needle. To narrow.—To lessen, by knitting two stitches together. To seam.—To knit a stitch with the cotton before the... more...

ARMS AND THE MAID Through the gateway flanked by tall recruiting posters came rather hurriedly a youth of no great stature, but of sturdy build and comely enough countenance, including bright brown eyes and fresh complexion. Though the dull morning was coldish, perspiration might have been detected on his forehead. Crossing the street, without glance to right or left, he increased his pace; also, he... more...

CHAPTER I. And look how many Grecian tents do standHollow upon this plain—so many hollow factions.Troilus and Cressida. In a hollow of the hill, about a quarter of a mile from the field of battle, was a shepherd's hut; a miserable cottage, which, as the only enclosed spot within a moderate distance, the leaders of the presbyterian army had chosen for their council-house. Towards this spot Burley... more...

MORIEN A Metrical Romance rendered into English prose from the Mediæval Dutch by Jessie L. Weston, with designs by Caroline Watts. Preface The metrical romance of which the following pages offer a prose translation is contained in the mediæval Dutch version of the Lancelot, where it occupies upwards of five thousand lines, forming the conclusion of the first existing volume of that compilation. So... more...

CHAPTER I. AFTER OFFICE HOURS IN THE HOUSE OF DUNBAR, DUNBAR, AND BALDERBY. The house of Dunbar, Dunbar, and Balderby, East India bankers, was one of the richest firms in the city of London--so rich that it would be quite in vain to endeavour to describe the amount of its wealth. It was something fabulous, people said. The offices were situated in a dingy and narrow thoroughfare leading out of King... more...

THE SILENT MILL No one can tell how many years ago it is was since the "Silent Mill" first received its name. As long as I can remember it has been an old, tumble-down structure, an ancient relic of long-forgotten times. Old, and weather-beaten, and roofless, its crumbling walls stretch upwards toward the sky, giving free access to every gust of wind. Two large, round stones that once, maybe,... more...

ACKNOWLEDGEMENTS For permission to reprint the stories in this volume, acknowledgement is made to the owners of the copyrights, as follows: For "The Right Promethean Fire," to Mrs. Atwood, R. Martin and Doubleday, Page & Company. For "The Land of Heart's Desire," to Messrs. Doubleday, Page & Company. For "The Tenor," to Alice I. Bunner and to Charles Scribners'... more...

INTRODUCTION. The's as much human nature in some folks as th' is in others, if not more.—David Harum. One of the most conspicuous characteristics of our contemporary native fiction is an increasing tendency to subordinate plot or story to the bold and realistic portrayal of some of the types of American life and manners. And the reason for this is not far to seek. The extraordinary mixing... more...

A CHAPTER, Gratis and Explanatory. What is the use of a preface? Who wants a preface? Nay, more—what is a preface? Who can define it? That which it is most unlike is the mathematical myth called a point, which may be said to have neither length nor breadth, and consequently no existence; whereas a preface generally has extreme length, all the breadth the printer can give it, and an universal... more...

Jack Holloway found himself squinting, the orange sun full in his eyes. He raised a hand to push his hat forward, then lowered it to the controls to alter the pulse rate of the contragravity-field generators and lift the manipulator another hundred feet. For a moment he sat, puffing on the short pipe that had yellowed the corners of his white mustache, and looked down at the red rag tied to a bush... more...