Drama Books

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The nursery. Half-past two in the afternoon. A cool, delightful white room, with a frieze of children playing in the ocean spray; shelves of bright-colored books on the walls, and the months of a large calendar by Elizabeth Shippen Green framed underneath. There is a deep bow-window at the back; the principal door is at the Left, and a smaller one on the Right. Toys of all sizes, for all ages, are... more...

CHARACTERS JIM WESTON: Guitarist, Methodist, slightly arrogant, agressive, somewhat self-important, ready with his tongue. DAVE CARTER: Dancer, Baptist, soft, happy-go-lucky character, slightly dumb and unable to talk rapidly and wittily. DAISY TAYLOR: Methodist, domestic servant, plump, dark and sexy, self-conscious of clothes and appeal, fickle. JOE CLARK: The Mayor, storekeeper and postmaster,... more...

THE GHOST OF JERRY BUNDLER. Scene.—The Commercial Room in an old-fashioned hotel in a small country town. An air of old-fashioned comfort is in evidence everywhere. Old sporting prints on the walls. On the table up C. are half a dozen candlesticks, old-fashioned shape with snuffer attached. Two pairs of carpet slippers are set up within fender. Red curtains to window recess. Shutters or blinds to... more...

ACT I. On a ship at sea: a tempestuous noise of thunder and lightning heard.   Mast. Boatswain! Boats. Here, master: what cheer? Mast. speak to the mariners: fall to’t, yarely, or we run ourselves aground: bestir, bestir. Exit. Enter Mariners. 5 Boats. Heigh, my hearts! cheerly, cheerly, my hearts! yare, yare! Take in the topsail. Tend to the master’s whistle. Blow, , if room enough! Alonso,... more...

ACT I. — THE SECRET. Scene:—The exterior of a decayed, weatherbeaten, Elizabethan 'mansion, overgrown with ivy and autumn-tinted creeper. On the R., the lower part of a tower, square or circular. Facing the audience, about five feet from the ground, a door opening into the tower, the entrance proper to the house. This door leads out on to a stone terrace, which is run off the stage R., and... more...

EDWARD THE SECOND By Christopher Marlowe DRAMATIS PERSONAE KING EDWARD THE SECOND.PRINCE EDWARD, his son, afterwards KING EDWARD THE THIRD.KENT, brother to KING EDWARD THE SECOND.GAVESTON.ARCHBISHOP OF CANTERBURY.BISHOP OF COVENTRY.BISHOP OF WINCHESTER.WARWICK.LANCASTER.PEMBROKE.ARUNDER.LEICESTER.BERKELEY.MORTIMER the elder. MORTIMER the younger, his nephew. SPENSER the elder. SPENSER the younger, his... more...

IN THE SHADOW OF THE GLEN A PLAY IN ONE ACT SCENE.—{The last cottage at the head of a long glen in County Wicklow. Cottage kitchen; turf fire on the right; a bed near it against the wall with a body lying on it covered with a sheet. A door is at the other end of the room, with a low table near it, and stools, or wooden chairs. There are a couple of glasses on the table, and a bottle of whisky, as if... more...

ACT I It is half-past nine of a July evening. In a dining-roomlighted by sconces, and apparelled in wall-paper, carpet, andcurtains of deep vivid blue, the large French windows betweentwo columns are open on to a wide terrace, beyond which are seentrees in darkness, and distant shapes of lighted houses. On oneside is a bay window, over which curtains are partly drawn.Opposite to this window is a door... more...

ACT I. I. 1 Scene I. Enter Duke, , Gaoler, , and other Attendants. Æge. Proceed, , to procure my fall, And by the doom of death end woes and all. Duke. Merchant of Syracusa, plead no more; I am not partial to infringe our laws: The enmity and discord which of late 5 Sprung from the rancorous outrage of your duke To merchants, our well-dealing countrymen, Who, wanting guilders to redeem their lives,... more...

by: Euripides
THE TROJAN WOMEN In his clear preface, Gilbert Murray says with truth that The Trojan Women, valued by the usage of the stage, is not a perfect play. "It is only the crying of one of the great wrongs of the world wrought into music." Yet it is one of the greater dramas of the elder world. In one situation, with little movement, with few figures, it flashes out a great dramatic lesson, the... more...