Drama Books

Why the Chimes Rang. The scene is laid in a peasant's hut on the edge of a forest near a cathedral town. It is a dark low-raftered room lit only by the glowing wood fire in the great fireplace in the wall to the right, and by a faint moonlight that steals in through the little window high in the left wall. This window commands a view of the cathedral and of the road leading down into the town. The... more...

ACT I Scene: A room in the King's house at Burren.Large window at back with deep window seat.Doors right and left. A small table and somechairs. Dall Glic: (Coming in with tray, which he putson table. Goes back to door.) You can come in,King. There is no one here. King: (Coming in.) That's very good. I wasin dread the Queen might be in it. Dall Glic: It is a good thought I had bringingit in... more...

ACT I Autumn. A peasant's hut, with a small room partitioned off. Akulína sits spinning; Martha the housewife is kneading bread; little Paráshka is rocking a cradle. MARTHA. Oh dear, my heart feels heavy! I know it means trouble; there's nothing to keep him there. It will again be like the other day, when he went to town to sell the firewood and drank nearly half of it. And he blames me... more...

SCENE: Judge Dunfumy's Court. PERSONS: Judge Dunfumy, Officer Simpson and another, Jemima               Flapcakes, Cliff Mullins, John Barnes, two lawyers,               a clerk, a pretty girl and her escort. SETTING: Usual court-room arrangement, except that there is a               large red arrow pointing off-stage left,... more...

INTRODUCTION* Koerlighedens Komedie was published at Christiania in 1862. The polite world—so far as such a thing existed at the time in the Northern capital—received it with an outburst of indignation now entirely easy to understand. It has indeed faults enough. The character-drawing is often crude, the action, though full of effective by-play, extremely slight, and the sensational climax has... more...

SCENE: A large room with a door at the back and another at the side opening to an inner room. A desk and a chair in the middle. An hour-glass on a bracket near the door. A creepy stool near it. Some benches. The WISE MAN sitting at his desk. WISE MAN [turning over the pages of a book]. Where is that passage I am to explain to my pupils to-day? Here it is, and the book says that it was written by a... more...

Scene 1 Protásov's flat in Moscow. The scene represents a small dining-room. Anna Pávlovna, a stout grey-haired lady, tightly laced, is sitting alone at the tea-table on which is a samovár. Enter nurse, carrying a teapot. NURSE. May I have a little hot water, ma'am? ANNA PÁVLOVNA. Yes. How's Baby? NURSE. He's restless.… There's nothing worse than for a lady to nurse her... more...

ACT FIRST. (A room at Ostrat. Through an open door in the back, the Banquet Hall is seen in faint moonlight, which shines fitfully through a deep bow-window in the opposite wall. To the right, an entrance- door; further forward, a curtained window. On the left, a door leading to the inner rooms; further forward a large, open fireplace, which casts a glow over the room. It is a stormy evening.) (BIORN... more...

INTRODUCTION. Euripides, son of Mnesarchus, was born in the island of Salamis, on the day of the celebrated victory (B.C. 480). His mother, Clito, had been sent thither in company with the other Athenian women, when Attica was given up, and the ships became at once the refuge of the male population, and the national defense. Mr. Donaldson well remarks, that the patronymic form of his name, derived from... more...

EDITORIAL INTRODUCTION. The story of "Venice Preserved" is partly founded upon St. Real's History of the Conspiracy of the Spaniards against the Republic of Venice, in 1618. Voltaire compares the author of this History to Sallust; and pronounces it superior to the English tragedy—an assertion, which, like many others from the same source, was the convenient sentence of an adroit but... more...