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THE GAY LORD QUEX THE FIRST ACT The scene represents a manicure establishment in New Bond Street. It is a front room upon the first floor, with three french-windows affording a view of certain buildings on the east side of the street. On the left, furthest from the spectator, is a wide, arched opening, apparently leading to another apartment, in which is the door giving entrance to the rooms from the...
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Clyde Fitch
CLYDE FITCH (1865-1909) Clyde Fitch brought a vivacity to the American stage that no other American playwright has thus far succeeded in emulating. The total impression of his work leads one to believe that he also brought to the American stage a style which was at the same time literary and distinctly his own. His personality was interesting and lovable, quickly responsive to a variety of human...
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Michael Strange
Act I Scene 1 [An old park with avenues of trees leading away in all directions. Directly in background of stage there is a sheet of water fringed by willow and poplar trees. On the right and left is a high box hedge formed in curves with the top clipped in grotesque shapes mostly of birds. A statue is placed in the centre of each hedge, and beneath the statues are seats. When the curtain rises several...
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THE CHARACTERS GODS:MADANA (Eros).VASANTA (Lycoris). MORTALS:CHITRA, daughter of the King of Manipur.ARJUNA, a prince of the house of the Kurus. He is of theKshatriya or "warrior caste," and during the action is living asa Hermit retired in the forest. VILLAGERS from an outlying district of Manipur. NOTE.—The dramatic poem "Chitra" has been performed in Indiawithout scenery—the...
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INTRODUCTORY NOTE Gotthold Ephraim Lessing was born at Kamenz, Germany, January 22, 1729, the son of a Lutheran minister. He was educated at Meissen and Leipzic, and began writing for the stage before he was twenty. In 1748 he went to Berlin, where he met Voltaire and for a time was powerfully influenced by him. The most important product of this period was his tragedy of "Miss Sara Samson," a...
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Rutherford Mayne
The Drone A COMEDY IN THREE ACTS ACT I. Scene: The farm kitchen of John Murray. It is large and spacious, with a wide open fire-place to the right. At the back is one door leading to the parlour and other rooms in the house, also a large window overlooking the yard outside. To the left of this window is the door leading into the yard, and near the door an old-fashioned grandfather's clock....
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A PROLOGUE TO BE SPOKEN BY BETSY Our scene is the wind-swept coast of Devon. By day there is a wide stretch of ocean far below, and the abutments of our stage arise from a dizzy cliff. The time is remote, and ships of forgotten build stand out from Bristol in full sail for the mines of India. But we must be loose and free of precise date lest our plot be shamed by broken fact. A thousand years are but...
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IN THE SHADOW OF THE GLEN A PLAY IN ONE ACT SCENE.—{The last cottage at the head of a long glen in County Wicklow. Cottage kitchen; turf fire on the right; a bed near it against the wall with a body lying on it covered with a sheet. A door is at the other end of the room, with a low table near it, and stools, or wooden chairs. There are a couple of glasses on the table, and a bottle of whisky, as if...
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COSTUMES. The simplicity of the costuming as well as of the stage setting makes the play an easy one for amateurs to produce. The dress of the four school girls should be as modern as possible. Their hair should be elaborately arranged. Hippolyta should wear the dress of an Amazon, armor if possible, or a short skirt, sandals laced high with crossed strings, waist to match the skirt, a crown, and a...
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LECTURE I THE SUBSTANCE OF SHAKESPEAREAN TRAGEDY The question we are to consider in this lecture may be stated in a variety of ways. We may put it thus: What is the substance of a Shakespearean tragedy, taken in abstraction both from its form and from the differences in point of substance between one tragedy and another? Or thus: What is the nature of the tragic aspect of life as represented by...
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