Literary Books

JOURNAL, 1814. "February 18. "Better than a month since I last journalised:—most of it out of London and at Notts., but a busy one and a pleasant, at least three weeks of it. On my return, I find all the newspapers in hysterics, and town in an uproar, on the avowal and republication of two stanzas on Princess Charlotte's weeping at Regency's speech to Lauderdale in 1812. They are... more...

CHAPTER LI. Vice flourished luxuriantly during the hey-day of our "flush times." The saloons were overburdened with custom; so were the police courts, the gambling dens, the brothels and the jails—unfailing signs of high prosperity in a mining region—in any region for that matter. Is it not so? A crowded police court docket is the surest of all signs that trade is brisk and money plenty.... more...

IMPERIAL POWER FOR GOOD AND BAD MEN Let us examine the nature of the spaciousness and continuance of empire, for which men give their gods such great thanks; to whom also they exhibited plays (that were so filthy both in actors and the action) without any offense of honesty. But, first, I would make a little inquiry, seeing you can not show such estates to be anyway happy, as are in continual wars,... more...

Under Fire TALK began to run upon the war now, for we were getting down into the upper edge of the former battle-stretch by this time. Columbus was just behind us, so there was a good deal said about the famous battle of Belmont. Several of the boat's officers had seen active service in the Mississippi war-fleet. I gathered that they found themselves sadly out of their element in that kind of... more...

INTRODUCTION The "Historia Calamitatum" of Peter Abélard is one of those human documents, out of the very heart of the Middle Ages, that illuminates by the glow of its ardour a shadowy period that has been made even more dusky and incomprehensible by unsympathetic commentators and the ill-digested matter of "source-books." Like the "Confessions" of St. Augustine it is an... more...

MY REMINISCENCES I know not who paints the pictures on memory's canvas; but whoever he may be, what he is painting are pictures; by which I mean that he is not there with his brush simply to make a faithful copy of all that is happening. He takes in and leaves out according to his taste. He makes many a big thing small and small thing big. He has no compunction in putting into the background that... more...

CHAPTER I. BIOGRAPHICAL. In the foregoing volumes of this series of English Men of Letters, and in other works of a similar nature which have appeared lately as to the Ancient Classics and Foreign Classics, biography has naturally been, if not the leading, at any rate a considerable element. The desire is common to all readers to know not only what a great writer has written, but also of what nature... more...

My attention was first called to the works of the poet Jasmin by the eulogistic articles which appeared in the Revue des Deux Mondes, by De Mazade, Nodier, Villemain, and other well-known reviewers. I afterwards read the articles by Sainte-Beuve, perhaps the finest critic of French literature, on the life and history of Jasmin, in his 'Portraits Contemporains' as well as his admirable article... more...

INTRODUCTION Phillips Brooks once told the boys at Exeter that in reading biography three men meet one another in close intimacy—the subject of the biography, the author, and the reader. Of the three the most interesting is, of course, the man about whom the book is written. The most privileged is the reader, who is thus allowed to live familiarly with an eminent man. Least regarded of the three is... more...

CHAPTER I HEREDITY AND ANTECEDENTS'These are thy works, O father, these thy crown,Whether on high the air be pure they shineAlong the yellowing sunset, and all nightAmong the unnumbered stars of God they shine.Or whether fogs arise, and far and wideThe low sea-level drown—each finds a tongue,And all night long the tolling bell resounds.So shine so toll till night be overpast,Till the stars... more...