General Books

I AURORE DUPINPSYCHOLOGY OF A DAUGHTER OF ROUSSEAUIn the whole of French literary history, there is, perhaps, no subject of such inexhaustible and modern interest as that of George Sand. Of what use is literary history? It is not only a kind of museum, in which a few masterpieces are preserved for the pleasure of beholders. It is this certainly, but it is still more than this. Fine books are, before... more...

PREFACE TO THE ENLARGED AND REVISED EDITION The favourable reception accorded to the previous editions of this work has not only added greatly to the pleasure attending the preparation of a new and revised edition, but has encouraged me to spare no effort within my power to render the volume as interesting and complete as possible. In making these endeavours, the bulk of the book has been necessarily... more...

INTRODUCTORY ESSAY. We have again to present to our friends the Report of the Annual Mortality in the Society of Friends, in Great Britain and Ireland.  It has frequently been observed, how nearly the number of deaths in each year has approximated, but we have this year to notice a considerable diminution in the annual return.  We are not disposed, however, to attribute the diminished numbers,... more...

I. USES OF GREAT MEN. It is natural to believe in great men. If the companions of our childhood should turn out to be heroes, and their condition regal, it would not surprise us. All mythology opens with demigods, and the circumstance is high and poetic; that is, their genius is paramount. In the legends of the Gautama, the first men ate the earth, and found it deliciously sweet. Nature seems to exist... more...

Phidias, one of the greatest sculptors the world has seen, and whose name has become, as it were, the synonym of his art, was born at Athens about 500 B.C. He belonged to a family of artists, none of whom indeed were distinguished in their profession, but their varied occupations furnished the atmosphere in which such a talent as that of Phidias could best be fostered and brought to maturity. His... more...

MARCUS OF ROME: THE BOY MAGISTRATE. (Afterward the Emperor Marcus Aurelius Antoninus.) [a.d. 137.] A perfect autumn day. Above, the clear sky of Italy; below, a grassy plain, sloping gently down from the brown cliffs and ruined ramparts of old Veii—the city of the ancient Tuscan kings. In the background, under the shade of the oaks, a dozen waiting attendants; and here, in the open space before us,... more...

ANCESTORS To arrive at a full understanding of the complex and unusual character of Fanny Van de Grift Stevenson, which perhaps played as large a part as her beauty and intellectual charm in drawing to her the affections of one of the greatest romance writers of our day, one must go back and seek out all the uncommon influences that combined to produce it—a long line of sturdy ancestors, running back... more...

THOMAS HOBBES. This distinguished Freethinker was born on the 5th of April, 1588, at Malmesbury; hence his cognomen of "the philosopher of Malmesbury." In connection with his birth, we are told that his mother, being a loyal Protestant, was so terrified at the rumored approach of the Spanish Armada, that the birth of her son was hastened in consequence. The subsequent timidity of Hobbes is... more...

I. He was little and looked at the world from below. All that happened, went on over his head. Everyone looked down to him. But the big people possessed the enviable power of lifting him to their own height or above it. It might so happen that suddenly, without preamble, as he lay on the floor, rummaging and playing about and thinking of nothing at all, his father or a visitor would exclaim: "Would... more...

JEAN JACQUES ROUSSEAU THE MAN TO WHOM EXPRESSION WAS TRAVAIL From the "Confessions of Rousseau." It is strange to hear that those critics who spoke of Rousseau's "incomparable gift of expression," of his "easy, natural style," were ludicrously incorrect in their allusions. From his "Confessions" we learn that he had no gift of clear, fluent expression; that he was... more...