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Showing: 11-14 results of 14

It is perhaps fitting that the series of volumes comprising The Musician's Bookshelf should be inaugurated by the present collection of essays. To the majority of English readers the name of that strange and forceful personality, Romain Rolland, is known only through his magnificent, intimate record of an artist's life and aspirations, embracing ten volumes, Jean-Christophe. This is not the place in which to discuss that masterpiece. A few... more...

My Dear Mr. Beaumont, Seneca has well said, "The three main points in the question of benefits, are, first, a judicious choice in the object; secondly, in the matter of our benevolence; and thirdly, in the manner of expressing it." Of the first, it would not be becoming in me to speak; of the second, you are the rightful judge; of the third, I beg leave thus publicly to state, that not only in requesting permission to publish this lecture at... more...

PREFACE. When a musical student begins to think of music as a literature and to inquire about individualities of style and musical expression, it is necessary for him to come as soon as possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn,... more...

I PALESTRINA To learn something of the life and labors of Palestrina, one of the earliest as well as one of the greatest musicians, we must go back in the world's history nearly four hundred years. And even then we may not be able to discover all the events of his life as some of the records have been lost. But we have the main facts, and know that Palestrina's name will be revered for all time as the man who strove to make sacred music... more...