Composers & Musicians Books

AMONG THE GREATMASTERS OF MUSIC. ST. CECILIA. One of the most ancient legends handed down to us by the early Church is that of St. Cecilia, the patroness of music and musicians. She is known to have been honoured by Christians as far back as the third century, in which she is supposed to have lived. Doubtless much of fancy has been added, in all the ensuing years, to the facts of Cecilia's life... more...

I. POLAND:—YOUTHFUL IDEALS Gustave Flaubert, pessimist and master of cadenced lyric prose, urged young writers to lead ascetic lives that in their art they might be violent. Chopin's violence was psychic, a travailing and groaning of the spirit; the bright roughness of adventure was missing from his quotidian existence. The tragedy was within. One recalls Maurice Maeterlinck: "Whereas most... more...

FOREWORD. One day there came into Robert Schumann's ken the work of a young fellow named Brahms, and the master cried aloud in the wilderness, "Behold, the new Messiah of music!" Many have refused to accept Brahms at this rating, and I confess to being one of the unregenerate, but the spirit that kept Schumann's heart open to the appeal of any stranger, that led him into instant... more...

CHAPTER I RECORDS AND EVENTS Edward MacDowell, the first Celtic voice that has spoken commandingly out of musical art, achieved that priority through natural if not inevitable processes. Both his grandfather and grandmother on his father's side were born in Ireland, of Irish-Scotch parents. To his paternal great-grandfather, Alexander MacDowell, the composer traced the Scottish element in his... more...

EDWARD MACDOWELL BIOGRAPHICAL SKETCH EDWARD ALEXANDER MACDOWELL was born in New York City, U.S.A., on December 18th, 1861, of American parents descended from a Quaker family of Scotch-Irish extraction who emigrated to America about the middle of the 18th Century. He was their third son. As a boy he studied the pianoforte with Juan Buitrago, a South American, Pablo Desvernine, a Cuban, and for a short... more...

VOLUME I. PREFACE TO THE FIRST EDITION While the novelist has absolute freedom to follow his artistic instinct and intelligence, the biographer is fettered by the subject-matter with which he proposes to deal. The former may hopefully pursue an ideal, the latter must rest satisfied with a compromise between the desirable and the necessary. No doubt, it is possible to thoroughly digest all the requisite... more...

THE loves of famous men and women, especially of those connected with literature and the fine arts, have always excited much curiosity. In the majority of cases the poet's and artist's choice of a partner falls on a person who is incapable of comprehending his aims and sometimes even of sympathising with his striving. The question "why poets are so apt to choose their mates, not for any... more...

THE VIOLIN AND EARLY VIOLINISTS. The Ancestry of the Violin.—The Origin of the Cremona School of Violin-Making.—The Amatis and Stradiuarii.—Extraordinary Art Activity of Italy at this Period.—Antonius Stradiuarius and Joseph Guarnerius.—Something about the Lives of the Two Greatest Violin-Makers of the World.—Corelli, the First Great Violinist.—His Contemporaries and... more...

CHAPTER I. BIRTH—ANCESTRY—EARLY YEARS Introductory—Rohrau—A Poor Home—Genealogy—Haydn's Parents—His Birth—His Precocity—Informal Music-making—His First Teacher—Hainburg—"A Regular Little Urchin"—Attacks the Drum—A Piece of Good Luck—A Musical Examination—Goes to Vienna—Choir School of St Stephen's—A House of Suffering—Lessons at the Cathedral—A... more...

A DESCRIPTION OF MUSIC."In the storm, in the smoke, in the fight, I comeTo help thee, dear, with my fife and my drum.My name is Music: and, when the bellRings for the dead men, I rule the knell;And, whenever the mariner wrecked through the blastHears the fog-bell sound, it was I who passed.The poet hath told you how I, a young maid,Came fresh from the gods to the myrtle shade;And thence, by a power... more...