Nuts Crazy as a cashew.Unbelievably lucky, I keep my job,live alone,lead a lucky life. Always the same old job,17 years of it. Go nowhere.Be nobody.Do nothing. Sheer luxury. Shame They got to me. They drove meoff the deep end. But I’m luckywith my label,and my safe job. Shame I’m nuts.Blissful,lucky,shame. Mind Stew Boil, boil, andon it stews,the broth that cooks,on the stovethat is my mind. Ideas bob up,then quickly... more...

PROEM "SO LET THEM PASS, THESE SONGS OF MINE"   So let them pass, these songs of mine,  Into oblivion, nor repine;  Abandoned ruins of large schemes,  Dimmed lights adrift from nobler dreams,   Weak wings I sped on quests divine,  So let them pass, these songs of mine.  They soar, or sink ephemeral—  I care not greatly which befall!   For if no... more...

INTRODUCTION TO EIDOLON. Hazlitt says, one cannot "make an allegory go on all fours," it must to a certain degree be obscure and shadowy, like the images which the traveller in the desert sees mirrored on the heavens, wherein he can trace but a dreamy resemblance to the reality beneath. It therefore seems to me advisable to give a solution of the "Eidolon," the symbol, which follows, that the purpose of the poem may at once be evident. In... more...

PRELUDE Night on bleak downs; a high grass-grown trench runs athwart the slope. The earthwork is manned by warriors clad in hides. Two warriors, BRYS and GAST, talking. Gast.This puts a tall heart in me, and a tuneOf great glad blood flowing brave in my flesh,To see thee, after all these moons, returned,My Brys. If there's no rust in thy shoulder-joints,That battle-wrath of thine, and thy good throwing,Will be more help for us than if the... more...

England's Fields     England's cliffs are white like milk,      But England's fields are green;    The grey fogs creep across the moors,      But warm suns stand between.  And not so far from London town, beyond the brimming street,  A thousand little summer winds are singing in the wheat.     Red-lipped... more...

ENOCH ARDEN.   Long lines of cliff breaking have left a chasm;  And in the chasm are foam and yellow sands;  Beyond, red roofs about a narrow wharf  In cluster; then a moulder'd church; and higher  A long street climbs to one tall-tower'd mill;  And high in heaven behind it a gray down  With Danish barrows; and a hazelwood,  By autumn nutters haunted,... more...

ENTHUSIASM. Oh for the spirit which inspired of oldThe seer's prophetic song—the voice that spakeThrough Israel's warrior king. The strains that burstIn thrilling tones from Zion's heaven-strung harp,Float down the tide of ages, shedding lightOn pagan shores and nations far remote:Eternal as the God they celebrate,Their fame shall last when Time's long race is run,And you refulgent eye of this fair world,—Its light and... more...

INTRODUCTION We remember Samuel Wesley (1662-1735), if at all, as the father of a great religious leader. In his own time he was known to many as a poet and a writer of controversial prose. His poetic career began in 1685 with the publication of Maggots, a collection of juvenile verses on trivial subjects, the preface to which, a frothy concoction, apologizes to the reader because the book is neither grave nor gay. The first poem, "On a Maggot,"... more...

The shades of night were falling fast,As through an Eastern village passedA youth who bore, through dust and heat,A stencil-plate, that read complete—“SAPOLIO.”   CLEAN PAINT, OIL CLOTHS, FLOORS,WOOD WORK, TABLES & SHELVESwith Sapolio.   His brow was sad, but underneath,White with “Odonto” shone his teeth,And through them hissed the words, “Well, blowMe tight if here is ’ary... more...

STILLNESS Invitingly, the sea shines her stars,captive flames within an impatient heartas darkness loads the pleasent isles with coarseness,slow sparks rise over a roaring fire.And strolling beaches near dawnwhen the sand fleas & crabs are seen to flee,one catches upon the imperfect stillnessa song of one - wind with seadrawning nearinward, such stars turnas bonds at lastworked free. HEWANORRA The moon, at most a shudder or two... more...