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INTRODUCTION. After the publication of his "Table Talk" and other poems in March, 1782, William Cowper, in his quiet retirement at Olney, under Mrs. Unwin's care, found a new friend in Lady Austen. She was a baronet's widow who had a sister married to a clergyman near Olney, with whom Cowper was slightly acquainted. In the summer of 1781, when his first volume was being printed,... more...

PROUD SIGNILD. Proud Signild’s bold brothers have taken her hand,They’ve wedded her into a far distant land. They’ve wedded her far from her own native land,To her father’s foul murderer gave they her hand. And so for eight winters the matter it stood,Their face for eight winters she never once view’d. Proud Signild she brews, and the ruddy wine blends;To her brothers so courteous a bidding... more...

THE NIGHTINGALE, OR THE TRANSFORMED DAMSEL I know where stands a Castellaye,   Its turrets are so fairly gilt;With silver are its gates inlaid,   Its walls of marble stone are built. Within it stands a linden tree,   With lovely leaves its boughs are hung,Therein doth dwell a nightingale,   And sweetly moves that bird its tongue. A gallant knight came riding by,   He heard its dulcet ditty... more...

No species of poetry is more ancient than the lyrical, and yet none shows so little sign of having outlived the requirements of human passion. The world may grow tired of epics and of tragedies, but each generation, as it sees the hawthorns blossom and the freshness of girlhood expand, is seized with a pang which nothing but the spasm of verse will relieve. Each youth imagines that spring-tide and love... more...

INTRODUCTION [The Dramatic Romances,...] enriched by some of the poems originally printed in Men and Women, and a few from Dramatic Lyrics as first printed, include some of Browning's finest and most characteristic work. In several of them the poet displays his familiarity with the life and spirit of the Renaissance—a period portrayed by him with a fidelity more real than history—for he enters... more...

THE BROOK.I come from haunts of coot and hern,I make sudden sallyAnd sparkle out among the fern,To bicker down a valley.By thirty hills I hurry down,Or slip between the ridges,By twenty thorps, a little town,And half a hundred bridges.I chatter over stony ways,In little sharps and trebles,I bubble into eddying bays,I babble on the pebbles.With many a curve my banks I fretBy many a field and fallow,And... more...

THE CHRONICLE OF THE DRUM. PART I. At Paris, hard by the Maine barriers,Whoever will choose to repair,Midst a dozen of wooden-legged warriorsMay haply fall in with old Pierre.On the sunshiny bench of a tavernHe sits and he prates of old wars,And moistens his pipe of tobaccoWith a drink that is named after Mars. The beer makes his tongue run the quicker,And as long as his tap never fails,Thus over his... more...

INTRODUCTORY SONNET   A Sonnet is a moment's monument,—  Memorial from the Soul's eternity  To one dead deathless hour. Look that it be,  Whether for lustral rite or dire portent,  Of its own arduous fulness reverent:  Carve it in ivory or in ebony,  As Day or Night may rule; and let Time see  Its flowering crest impearled and orient.   A Sonnet is a coin: its face... more...

VERSE: A LEGEND OF PROVENCE The lights extinguished, by the hearth I leant,Half weary with a listless discontent.The flickering giant-shadows, gathering near,Closed round me with a dim and silent fear.All dull, all dark; save when the leaping flame,Glancing, lit up a Picture’s ancient frame.Above the hearth it hung.  Perhaps the night,My foolish tremors, or the gleaming light,Lent power to that... more...

Part 1 Upon a time, before the faery broodsDrove Nymph and Satyr from the prosperous woods,Before King Oberon's bright diadem,Sceptre, and mantle, clasp'd with dewy gem,Frighted away the Dryads and the FaunsFrom rushes green, and brakes, and cowslip'd lawns,The ever-smitten Hermes empty leftHis golden throne, bent warm on amorous theft:From high Olympus had he stolen light,On this side... more...