INTRODUCTION This book is not intended to be representative of Chinese literature as a whole. I have chosen and arranged chronologically various pieces which interested me and which it seemed possible to translate adequately. An account of the history and technique of Chinese poetry will be found in the introduction to my last book. Learned reviewers must not suppose that I have failed to appreciate... more...

SERVANT. Have mercy upon your servant, my queen! QUEEN. The assembly is over and my servants are all gone. Whydo you come at this late hour? SERVANT. When you have finished with others, that is my time.I come to ask what remains for your last servant to do. QUEEN. What can you expect when it is too late? SERVANT. Make me the gardener of your flower garden. QUEEN. What folly is this? SERVANT. I will... more...

KALIDASA—HIS LIFE AND WRITINGS I Kalidasa probably lived in the fifth century of the Christian era. This date, approximate as it is, must yet be given with considerable hesitation, and is by no means certain. No truly biographical data are preserved about the author, who nevertheless enjoyed a great popularity during his life, and whom the Hindus have ever regarded as the greatest of Sanskrit poets.... more...

INTRODUCTION It is at my persuasion that these poems are now published. The earliest of them were read to me in London in 1896, when the writer was seventeen; the later ones were sent to me from India in 1904, when she was twenty-five; and they belong, I think, almost wholly to those two periods. As they seemed to me to have an individual beauty of their own, I thought they ought to be published. The... more...

Proem Profiles from China The Hand As you sit so, in the firelight, your hand is the color of    new bronze.I cannot take my eyes from your hand;In it, as in a microcosm, the vast and shadowy Orient    is made visible.Who shall read me your hand? You are a large man, yet it is small and narrow, like the    hand of a woman and the paw of a chimpanzee.It is supple and boneless as the hands... more...

TORU DUTT. INTRODUCTORY MEMOIR. If Toru Dutt were alive, she would still be younger than any recognized European writer, and yet her fame, which is already considerable, has been entirely posthumous. Within the brief space of four years which now divides us from the date of her decease, her genius has been revealed to the world under many phases, and has been recognized throughout France and England.... more...

REVERENCE TO GANESHA!"The sky is clouded; and the wood resemblesThe sky, thick-arched with black Tamâla boughs;O Radha, Radha! take this Soul, that tremblesIn life's deep midnight, to Thy golden house."So Nanda spoke,—and, led by Radha's spirit,The feet of Krishna found the road aright;Wherefore, in bliss which all high hearts inherit,Together taste they Love's divine delight.... more...

Darkly you sweep on, Eternal Fugitive, round whose bodiless rush stagnant space frets into eddying bubbles of light. Is your heart lost to the Lover calling you across his immeasurable loneliness? Is the aching urgency of your haste the sole reason why your tangled tresses break into stormy riot and pearls of fire roll along your path as from a broken necklace? Your fleeting steps kiss the dust of this... more...

1 STRAY birds of summer come to my window to sing and fly away. And yellow leaves of autumn, which have no songs, flutter and fall there with a sigh. O TROUPE of little vagrants of the world, leave your footprints in my words. 3 THE world puts off its mask of vastness to its lover. It becomes small as one song, as one kiss of the eternal. IT is the tears of the earth that keep her smiles in bloom. 5... more...

I Bid me and I shall gather my fruits to bring them in full baskets into your courtyard, though some are lost and some not ripe. For the season grows heavy with its fulness, and there is a plaintive shepherd's pipe in the shade. Bid me and I shall set sail on the river. The March wind is fretful, fretting the languid waves into murmurs. The garden has yielded its all, and in the weary hour of... more...