American Books

PREFACE THIS volume is the first compilation of the recent experiments in Spectra. It is the aim of the Spectric group to push the possibilities of poetic expression into a new region,—to attain a fresh brilliance of impression by a method not so wholly different from the methods of Futurist Painting. An explanation of the term "Spectric" will indicate something of the nature of the technique... more...

When Day Is Done When day is done and the night slips down,And I've turned my back on the busy town,And come once more to the welcome gateWhere the roses nod and the children wait,I tell myself as I see them smileThat life is good and its tasks worth while. When day is done and I've come once moreTo my quiet street and the friendly door,Where the Mother reigns and the children playAnd the... more...

PATH FLOWERA red-capsang in Bishop's wood,A lark o'er Golder's lane,As I the April pathway trodBound west for Willesden.At foot each tiny blade grew bigAnd taller stood to hear,And every leaf on every twigWas like a little ear.As I too paused, and both ways triedTo catch the rippling rain,—So still, a hare kept at my sideHis tussock of disdain,—Behind me close I heard a step,A soft... more...

Introduction "Tell me, ye muses, what hath former agesNow left succeeding times to play upon,And what remains unthought on by those sagesWhere a new muse may try her pinion?" So Complained Phineas Fletcher in his Purple Island as long ago as 1633. Three centuries have brought to the development of lyric passion no higher form than that of the sonnet cycle. The sonnet has been likened to an... more...

GEORGE D. PRENTICE.'Tis midnight's holy hour, and silence nowIs brooding, like a gentle spirit o'erThe still and pulseless world. Hark! on the windsThe bell's deep tones are swelling; 'tis the knellOf the departed year. No funeral trainIs sweeping past; yet, on the stream and wood,With melancholy light, the moonbeams restLike a pale, spotless shroud; the air is stirred,As by a... more...

PREFACE The candlelight sweeps softly through the room,Filling dim surfaces with golden laughter,Touching with mystery each high hung rafter,Cutting a path of promise through the gloom. Slim little elves dance gently on each taper,Wistful, small ghosts steal out of shroudedcorners—And, like a line of vague enchanted mourners,Great shadows sway like wind-blown sheets of paper. Gently as fingers drawn... more...

AS CREATED There's a space for good to bloom inEvery heart of man or woman,—And however wild or human,Or however brimmed with gall,Never heart may beat without it;And the darkest heart to doubt itHas something good about itAfter all. O the Lands of Where-Away!Tell us—tell us—where are they?Through the darkness and the dawnWe have journeyed on and on—From the cradle to the cross—From... more...

EDWARD L. BERNAYSHe was a burly Dutch tenor,And I patiently trailed him in his waking and sleeping hoursThat I might not lose a story,—But his life was commonplace and unimaginative—Air raids and abdications kept his activities,(A game of bridge yesterday, a ride to Tarrytown),Out of the papers.I watchfully waited,Yearning a coup that would place him on theMusical map.A coup, such as kissing a... more...

IN WAR TIME. TO SAMUEL E. SEWALL AND HARRIET W. SEWAll, OF MELROSE. These lines to my old friends stood as dedication in the volume which contained a collection of pieces under the general title of In War Time. The group belonging distinctly under that title I have retained here; the other pieces in the volume are distributed among the appropriate divisions. OLOR ISCANUS queries: "Why should weVex... more...

BACK FROM TOWN Old friends allus is the best,Halest-like and heartiest:Knowed us first, and don't allowWe're so blame much better now!They was standin' at the barsWhen we grabbed "the kivvered kyars"And lit out fer town, to makeMoney—and that old mistake! We thought then the world we wentInto beat "The Settlement,"And the friends 'at we'd make thereWould beat... more...