Poetry Books

PREFACE. The numerous collections of American verse share, I think, one fault in common: they include too much. Whether this has been a bid for popularity, a concession to Philistia, I cannot say; but the fact remains that all anthologies of American poetry are, so far as I know, more or less uncritical. The aim of the present book is different. In no case has a poem been included because it is widely... more...

HIS LIGHT Gray mist on the sea,And the night coming down,She stays with sorrowIn a far town. He goes the sea-waysBy channel lights dim,Her love, a true light,Watches for him. They would be weddedOn a fair yesterday,But the quick regimentSaw him away. Gray mist in her eyesAnd the night coming down:He feels a prayerFrom a far town. He goes the sea-ways,The land lights are dim;She and an altar lightKeep... more...

GOOD-BY BILL Dollar Bill, that I've held so tightEver since payday, a week ago,Shall I purchase with you tonightA pair of seats at the vaudeville show?(Hark! A voice from the easy chair:"Look at his shoes! We must buy a pair.") Dollar Bill, from the wreckage saved,Tell me, how shall I squander you?Shall I be shined, shampooed and shaved,Singed and trimmed 'round the edges, too?(Hark!... more...

BIOGRAPHICAL SKETCH Although Bret Harte's name is identified with Californian life, it was not till he was fifteen that the author of "Plain Language from Truthful James" saw the country of his adoption. Francis Bret Harte, to give the full name which he carried till he became famous, was born at Albany, New York, August 25, 1839. He went with his widowed mother to California in 1854, and... more...

VOICES OF THE NIGHT <Greek poem here—Euripides.> PRELUDE. Pleasant it was, when woods were green,  And winds were soft and low,To lie amid some sylvan scene.Where, the long drooping boughs between,Shadows dark and sunlight sheen  Alternate come and go; Or where the denser grove receives  No sunlight from above,But the dark foliage interweavesIn one unbroken roof of leaves,Underneath whose... more...

A for Arab.This Arab is upset, I fear;Look at his pretty shield and spear.He's stuck two pistols in his sash,And, dear me, how his eyes do flash!At home he has a horse to ride;To "scour the desert" is his pride.His horse is of the purest breed;Some people call his horse a steed.Here is your little brother Boer,Of course, you've heard of him before;He has a naughty Uncle Paul,Who used... more...

TO OUR LITTLE READERS.Listen, little children, all,Listen to our earnest call:You are very young, 'tis true,But there's much that you can do.Even you can plead with menThat they buy not slaves again,And that those they have may beQuickly set at liberty.They may hearken whatyousay,Though fromusthey turn away.Sometimes, when from school you walk,You can with your playmates talk,Tell them of the... more...

GEORGIC I What makes the cornfield smile; beneath what starMaecenas, it is meet to turn the sodOr marry elm with vine; how tend the steer;What pains for cattle-keeping, or what proofOf patient trial serves for thrifty bees;-Such are my themes.O universal lightsMost glorious! ye that lead the gliding yearAlong the sky, Liber and Ceres mild,If by your bounty holpen earth once changedChaonian acorn for... more...

INTRODUCTION. All civilized nations possessing a history which they contemplate with pride endeavour to present that history in an epic form. In their initial stages of culture the vehicles of expression are ballads like the constituents of the Spanish Romanceros and chronicles like Joinville’s and Froissart’s. With literary refinement comes the distinct literary purpose, and the poet appears who... more...

[213] THE "aesthetic" poetry is neither a mere reproduction of Greek or medieval poetry, nor only an idealisation of modern life and sentiment. The atmosphere on which its effect depends belongs to no simple form of poetry, no actual form of life. Greek poetry, medieval or modern poetry, projects, above the realities of its time, a world in which the forms of things are transfigured. Of that... more...