Poetry Books

Danny Deever "What are the bugles blowin' for?" said Files-on-Parade."To turn you out, to turn you out", the Colour-Sergeant said."What makes you look so white, so white?" said Files-on-Parade."I'm dreadin' what I've got to watch", the Colour-Sergeant said.For they're hangin' Danny Deever, you can hear the Dead March play,The regiment's... more...

AN INTERPRETER OF LIFE. Poetry, music, and painting are three correlated arts, connected not merely by an accidental classification, but by their intrinsic nature. For they all possess the same essential function, namely, to interpret the uninterpretable, to reveal the undiscoverable, to express the inexpressible. They all attempt, in different forms and through different languages, to translate the... more...

CROWS.THEY stream across the fading western skyA sable cloud, far o'er the lonely leas;Now parting into scattered companies,Now closing up the broken ranks, still highAnd higher yet they mount, while, carelessly,Trail slow behind, athwart the moving treesA lingering few, 'round whom the evening breezePlays with sad whispered murmurs as they fly.A lonely figure, ghostly in the dimAnd darkening... more...

INTRODUCTION This book is not intended to be representative of Chinese literature as a whole. I have chosen and arranged chronologically various pieces which interested me and which it seemed possible to translate adequately. An account of the history and technique of Chinese poetry will be found in the introduction to my last book. Learned reviewers must not suppose that I have failed to appreciate... more...

II. THE VALUE OF ROWLEY'S POEMS—PHILOLOGICAL AND LITERARY As imitations of fifteenth-century composition it must be confessed the Rowley poems have very little value. Of Chatterton's method of antiquating something has already been said. He made himself an antique lexicon out of the glossary to Speght's Chaucer, and such words as were marked with a capital O, standing for... more...

The Cross of Pearls. ethsemane, how oft, grown dim,With bleeding hearts, unpardoned sin,A Cross with pearls, and gems inlaid,God's gift of love, the price prepaid. These precious pearls were once a tear,Repentant sighs, a hope, a fear,But rough seas washed and jewels grewUntil the Cross was pearly hue. Unnumbered are the pearls and fair,If burdens of the weary share;And deeply wrought with threads... more...

PREFACE "Of making many books there is no end."—Eccles. 12:12. When the above words were written by Solomon, King of Israel, about three thousand years ago, they were possibly inspired by the existence even at that early period of an extensive and probably overweighted literature. The same literary conditions are as true to-day as when the above truism emanated from that most wonderful of all... more...

INTRODUCTION To the modern reader, with an abundance of periodicals of all sorts and upon all subjects at hand, it seems hardly possible that this wealth of ephemeral literature was virtually developed within the past two centuries. It offers such a rational means for the dissemination of the latest scientific and literary news that the mind undeceived by facts would naturally place the origin of the... more...

GENESIS A I. Ours is a great duty—to praise in word and love atheart the heavens' Ruler, the glorious King of Hosts:He is the substance of all power, the head of all highthings, the Lord Almighty. Origin or beginning was5never made for Him, nor shall an end ever come to theeternal God: but, on the contrary, He is for ever supremeby His high puissance over the heavenly kingdoms;just and mighty,... more...

INTRODUCTION Evan Lloyd’s works consist chiefly of four satires written in 1766 and 1767, all of which are now little-known. What little notice he receives today results from his friendship with John Wilkes and David Garrick and from one satire, The Methodist, which is usually included in surveys of anti-Methodist literature. For the most part, his obscurity is deserved. In The Methodist, however, he... more...