Poetry Books

THE OLD ARM-CHAIR. I love it, I love it; and who shall dare To chide me for loving that old arm-chair? I've cherished it long as a sainted prize; I've bedewed it with tears and embalmed it with sighs 'Tis bound by a thousand bands to my heart; Not a tie will break, not a link will start. Would ye learn the spell?—a mother sat there: And a sacred thing is that old arm-chair. In... more...

Canto I.Right beautiful is Torksey's hall,Adown by meadowed Trent;Right beautiful that mouldering wall,And remnant of a turret tall,Shorn of its battlement. For, while the children of the SpringBlush into life, and die;And Summer's joy-birds take light wingWhen Autumn mists are nigh;And soon the year—a winterling—With its fall'n leaves doth lie;That ruin gray—Mirror'd,... more...

TO MY PEN I Thou feeble implement of mind,Wherewith she strove to scrawl hername;But, like a mitcher, left behindNo signature, no stroke, no claim,No hint that she hath pined— Shall ever come a stronger time,When thou shalt be a tool of skill,And steadfast purpose, to fulfilA higher task than rhyme? II Thou puny instrument of soul,Wherewith she labours to impartHer efforts at some arduous goal;But... more...

THE THREE BEARS. THERE were once three bears, who lived in a wood,Their porridge was thick, and their chairs and beds good.The biggest bear, Bruin, was surly and rough;His wife, Mrs. Bruin, was called Mammy Muff.Their son, Tiny-cub, was like Dame Goose’s lad;He was not very good, nor yet very bad.Now Bruin, the biggest—the surly old bear—Had a great granite bowl, and a cast-iron chair.Mammy Muffs... more...

INTRODUCTION I. THE AGE WHICH PRODUCED THE FAERIE QUEENE The study of the Faerie Queene should be preceded by a review of the great age in which it was written. An intimate relation exists between the history of the English nation and the works of English authors. This close connection between purely external events and literary masterpieces is especially marked in a study of the Elizabethan Age. To... more...

Hannibal. Could a Numidian horseman ride no faster? Marcellus! oh! Marcellus! He moves not—he is dead. Did he not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back... more...

TEASE I WILL give you all my keys,  You shall be my châtelaine,You shall enter as you please,  As you please shall go again. When I hear you jingling through  All the chambers of my soul,How I sit and laugh at you  In your vain housekeeping rôle. Jealous of the smallest cover,  Angry at the simplest door;Well, you anxious, inquisitive lover,  Are you pleased with what's in store? You... more...

CANTO XVIII THERE is a place within the depths of hellCall'd Malebolge, all of rock dark-stain'dWith hue ferruginous, e'en as the steepThat round it circling winds.  Right in the midstOf that abominable region, yawnsA spacious gulf profound, whereof the frameDue time shall tell.  The circle, that remains,Throughout its round, between the gulf and baseOf the high craggy banks,... more...

INTRODUCTION. Early in the present century John Harris—one of the successors to the business of "Honest John Newbery," now carried on by Messrs Griffith & Farran at the old corner of St. Paul's Churchyard—began the publication of a series of little books, which for many years were probably among the most famous of the productions of the House. Now, however, according to the fate... more...

CANTO I His glory, by whose might all things are mov'd,Pierces the universe, and in one partSheds more resplendence, elsewhere less.  In heav'n,That largeliest of his light partakes, was I,Witness of things, which to relate againSurpasseth power of him who comes from thence;For that, so near approaching its desireOur intellect is to such depth absorb'd,That memory cannot follow.... more...