Poetry Books

Canto I.Right beautiful is Torksey's hall,Adown by meadowed Trent;Right beautiful that mouldering wall,And remnant of a turret tall,Shorn of its battlement. For, while the children of the SpringBlush into life, and die;And Summer's joy-birds take light wingWhen Autumn mists are nigh;And soon the year—a winterling—With its fall'n leaves doth lie;That ruin gray—Mirror'd,... more...

TO MY PEN I Thou feeble implement of mind,Wherewith she strove to scrawl hername;But, like a mitcher, left behindNo signature, no stroke, no claim,No hint that she hath pined— Shall ever come a stronger time,When thou shalt be a tool of skill,And steadfast purpose, to fulfilA higher task than rhyme? II Thou puny instrument of soul,Wherewith she labours to impartHer efforts at some arduous goal;But... more...

I Strings in the earth and airMake music sweet;Strings by the river whereThe willows meet. There's music along the riverFor Love wanders there,Pale flowers on his mantle,Dark leaves on his hair. All softly playing,With head to the music bent,And fingers strayingUpon an instrument. The twilight turns from amethystTo deep and deeper blue,The lamp fills with a pale green glowThe trees of the avenue.... more...

THE THREE BEARS. THERE were once three bears, who lived in a wood,Their porridge was thick, and their chairs and beds good.The biggest bear, Bruin, was surly and rough;His wife, Mrs. Bruin, was called Mammy Muff.Their son, Tiny-cub, was like Dame Goose’s lad;He was not very good, nor yet very bad.Now Bruin, the biggest—the surly old bear—Had a great granite bowl, and a cast-iron chair.Mammy Muffs... more...

INTRODUCTION I. THE AGE WHICH PRODUCED THE FAERIE QUEENE The study of the Faerie Queene should be preceded by a review of the great age in which it was written. An intimate relation exists between the history of the English nation and the works of English authors. This close connection between purely external events and literary masterpieces is especially marked in a study of the Elizabethan Age. To... more...

OUR generation already is overpast,And thy lov'd legacy, Gerard, hath lainCoy in my home; as once thy heart was fainOf shelter, when God's terror held thee fastIn life's wild wood at Beauty and Sorrow aghast;Thy sainted sense tramme'd in ghostly pain,Thy rare ill-broker'd talent in disdain:Yet love of Christ will win man's love at last.  Hell wars without; but, dear, the... more...

Hannibal. Could a Numidian horseman ride no faster? Marcellus! oh! Marcellus! He moves not—he is dead. Did he not stir his fingers? Stand wide, soldiers—wide, forty paces; give him air; bring water; halt! Gather those broad leaves, and all the rest, growing under the brushwood; unbrace his armour. Loose the helmet first—his breast rises. I fancied his eyes were fixed on me—they have rolled back... more...

TEASE I WILL give you all my keys,  You shall be my châtelaine,You shall enter as you please,  As you please shall go again. When I hear you jingling through  All the chambers of my soul,How I sit and laugh at you  In your vain housekeeping rôle. Jealous of the smallest cover,  Angry at the simplest door;Well, you anxious, inquisitive lover,  Are you pleased with what's in store? You... more...

'Twas on a frosty Christmas Eve When Peggy Deutchland woke From her wooden sleep On the counter steep And to her neighbour spoke, "Get up! get up, dear Sarah Jane! Now strikes the midnight hour, When dolls and toys Taste human joys, And revel in their power.     I long to try my limbs a bit, And you must walk with me; Our joints are good Though made of wood, And I pine for liberty. For... more...

CANTO XVIII THERE is a place within the depths of hellCall'd Malebolge, all of rock dark-stain'dWith hue ferruginous, e'en as the steepThat round it circling winds.  Right in the midstOf that abominable region, yawnsA spacious gulf profound, whereof the frameDue time shall tell.  The circle, that remains,Throughout its round, between the gulf and baseOf the high craggy banks,... more...