THE PREFACE The artist is the creator of beautiful things.To reveal art and conceal the artist is art's aim.The critic is he who can translate into another manner or a new material his impression of beautiful things.The highest, as the lowest, form of criticismis a mode of autobiography.Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault.Those who find beautiful meanings inbeautiful things are the... more...

THE PHILOSOPHY OF THE CONDITIONED. The reader of Plato’s Republic will readily recall to mind that wonderful passage at the end of the sixth book, in which the philosopher, under the image of geometrical lines, exhibits the various relations of the intelligible to the sensible world; especially his lofty aspirations with regard to “that second segment of the intelligible world, which reason of itself grasps by the power of... more...

If there exists on any subject a philosophy (that is, a system of rational knowledge based on concepts), then there must also be for this philosophy a system of pure rational concepts, independent of any condition of intuition, in other words, a metaphysic. It may be asked whether metaphysical elements are required also for every practical philosophy, which is the doctrine of duties, and therefore also for Ethics, in order to be able to present... more...

Whether Chaos or Order lay at the beginning of things is a question once much debated in the schools but afterward long in abeyance, not so much because it had been solved as because one party had been silenced by social pressure. The question is bound to recur in an age when observation and dialectic again freely confront each other. Naturalists look back to chaos since they observe everything growing from seeds and shifting its character in... more...

I Are these the only works of Providence within us? What words suffice to praise or set them forth? Had we but understanding, should we ever cease hymning and blessing the Divine Power, both openly and in secret, and telling of His gracious gifts? Whether digging or ploughing or eating, should we not sing the hymn to God:— Great is God, for that He hath given us such instruments to till the ground withal: Great is God, for that He hath... more...

PREFACE. This work is called the Critique of Practical Reason, not of the pure practical reason, although its parallelism with the speculative critique would seem to require the latter term. The reason of this appears sufficiently from the treatise itself. Its business is to show that there is pure practical reason, and for this purpose it criticizes the entire practical faculty of reason. If it succeeds in this, it has no need to criticize the... more...

PROLOGUE What I am anxious to attempt in this anticipatory summary of the contents of this book is a simple estimate of its final conclusions, in such a form as shall eliminate all technical terms and reduce the matter to a plain statement, intelligible as far as such a thing can be made intelligible, to the apprehension of such persons as have not had the luck, or the ill-luck, of a plunge into the ocean of metaphysic. A large portion of the... more...

THE SPIRIT OF MUSIC "Art is the Manifestation of the Spiritual by means of the Material"Newlandsmith Music is a part of life. It is not merely an accomplishment or a hobby, nor yet a means of relaxation from the strenuous business of earning a living. It is not an addendum or an excrescence: it is an actual part of the fabric of life itself. The object of these pages will be to show how closely Music, and indeed Art in general, has woven itself... more...

I LOCKE AND THE FRONTIERS OF COMMON SENSE A good portrait of Locke would require an elaborate background. His is not a figure to stand statuesquely in a void: the pose might not seem grand enough for bronze or marble. Rather he should be painted in the manner of the Dutch masters, in a sunny interior, scrupulously furnished with all the implements of domestic comfort and philosophic enquiry: the Holy Bible open majestically before him, and... more...

The reason passes, like the heart, through certain epochs and transitions, but its development is not so often portrayed. Men seem to have been satisfied with unfolding the passions in their extremes, their aberration, and their results, without considering how closely they are bound up with the intellectual constitution of the individual. Degeneracy in morals roots in a one-sided and wavering philosophy, doubly dangerous, because it blinds the... more...