SUGGESTIONS FOR PRESERVING A RECORD OF EXISTING MONUMENTS. When, in the opening Number of the present Volume (p. 14), we called the attention of our readers to the Monumentarium of Exeter Cathedral, we expressed a hope that the good services which Mr. Hewett had thereby rendered to all genealogical, antiquarian, and historical inquirers would be so obvious as to lead a number of labourers into the same useful field. That hope bids fair to be... more...

NOTES. TRADITIONAL ENGLISH BALLADS. The task of gathering old traditionary song is surely a pleasant and a lightsome one. Albeit the harvest has been plentiful and the gleaners many, still a stray sheaf may occasionally be found worth the having. But we must be careful not to "pick up a straw." One of your corespondents recommends, as an addition to the value of your pages, the careful getting together of those numerous traditional ballads... more...

NOTES. ILLUSTRATIONS OF SCOTTISH BALLADS. In the ballad of "Annan Water" (Border Minstrelsy, vol. iii.) is the following verse:— "O he has pour'd aff his dapperpy coat, The silver buttons glanced bonny; The waistcoat bursted aff his breast, He was sae full of melancholy." A very unexpected effect of sorrow, but one that does not seem to be unprecedented. "A plague of sighing and grief," says Falstaff. "It blows a man up like a... more...

FURTHER NOTES ON THE HIPPOPOTAMUS. The following remarks are supplementary to a note on the hippopotamus in Vol. ii, p. 35. In that note the exhibition of the hippopotamus at the Roman games is not traced lower than the time of the Emperor Commodus. Helagabalus, however, 218-22 A.D., had hippopotami among the various rare animals which he displayed in public as a part of his state. (Lamprid. c. 28) A hippopotamus was likewise in the vast... more...

ADDRESS TO OUR FRIENDS. We this day publish our fifty-second Number. Every Saturday, for twelve months, have we presented to our subscribers our weekly budget of "Notes," "Queries," and "Replies;" and in so doing, we trust, we have accomplished some important ends. We have both amused and instructed the general reader; we have stored up much curious knowledge for the use of future writers; we have procured for scholars now engaged in works of... more...

NOTES. OLD SONGS. I heard, "in other days," a father singing a comic old song to one of his children, who was sitting on his knee. This was in Yorkshire: and yet it could hardly be a Yorkshire song, as the scene was laid in another county. It commenced with— "Randle O'Shay has sold his mare For nineteen groats at Warrin'ton fair," and goes on to show how the simpleton was cheated out of his money. I find in Hasted's History of Kent... more...

NOTES GRAVESEND BOATS. While so much has been said of coaches, in the early numbers of "Notes and Queries" and elsewhere, very little notice has been taken of another mode of conveyance which has now become very important. I think it may amuse some of your readers to compare a modern Gravesend boat and passage with the account given by Daniel Defoe, in the year 1724: and as it is contained in what I believe to be one of his least known works,... more...

NOTES ETYMOLOGY OF PENNIEL. Some eighteen years ago, the writer of the following sonnets, by the kindness of the proprietors of a pleasant house upon the banks of the Teviot, enjoyed two happy autumns there. The Roman road which runs between the remains of the camp at Chew Green, in Northumberland, and the Eildon Hills (the Trimontium of General Roy), passed hard by. The road is yet distinctly visible in all its course among the Cheviots, and... more...

NOTES NICHOLAS BRETON. Like Mr. COLLIER (No. 23. p. 364.), I have for many years felt "a peculiar interest about Nicholas Breton," and an anxious desire to learn something more of him, not only from being a sincere lover of many of his beautiful lyrical and pastoral poems, as exhibited in England's Helicon, Davison's Poetical Rhapsodie, and other numerous works of his own, and from possessing several pieces of his which are not generally known,... more...

THE TAMING OF THE SHREW. In two former communications on a subject incidental to that to which I now beg leave to call your attention, I hinted at a result far more important than the discovery of the author of the Taming of a Shrew. That result I lay before your readers, in stating that I think I can show grounds for the assertion that the Taming of the Shrew, by Shakspeare, is the original play; and that the Taming of a Shrew, by Marlowe or... more...