Showing: 1-10 results of 27

by: Various
FRAGMENTS OF GREEK DETAIL. The Art of Greece during the fifth century, B.C., was developed in an amazingly short time from a condition of almost archaic rudeness to that of the greatest perfection which the world has ever seen. At the close of the Persian wars the Athenians, under Pericles, began rebuilding their city and perfecting themselves in all the arts of civilization, and their progress in the... more...

by: Various
The LORGNETTE, the cleverest book of its kind (we were about to write, since the days of Addison, but to avoid possible disagreement say)—since IRVING and PAULDING gave us Salmagundi, is still coming before us at agreeable intervals, and will soon be issued in a brace of volumes illustrated by DARLEY. The Author keeps his promises, given in the following paragraphs some time ago: "It would be... more...

by: Various
BYZANTINE-ROMANESQUE WINDOWS IN SOUTHERN ITALY. The collection of photographs from which the plates in this and the February number were selected was only recently made under the direction of Signor Boni, an official of the Italian government, charged with the care and restoration of historic monuments. The province of Apulia has been so little invaded by the march of modern improvement, and its... more...

by: Various
THE THEATER IN RUSSIA AND POLAND. The following interesting sketch of the Drama in the empire of the Czar is translated for the International from the Leipzig Grenzboten. The facts it states are not only new to most readers, but throw incidentally a good deal of light on the condition of that vast empire, and the state of its population in respect of literature and art in general: The dramatic taste of... more...

by: Various
THOMAS CHATTERTON. In the history of English literature there is no name that inspires a profounder melancholy than that of the "marvellous boy" Chatterton, of whom it must be said that in genius he surpassed any one who ever died so young, and that in suffering he had larger experience than almost any one who has lived to old age. Shelley says of him:"'Mid others of less note came one... more...

by: Various
NUMISMATIC ARCHÆOLOGY. A magnificent work upon this subject has just been completed in Paris, where it was commenced fifteen years ago. It was begun under the auspices of M. Paul Delaroche and M.C. Lenormand, member of the Institute, and well known already as one of the first authorities in the numismatic branch of archæology. Some faint idea of the greatness of the task may be given by stating that... more...

by: Various
r Wilson Eyre, Jr., in an article in The Architectural Review for January, which has been alluded to in our issue for October, and from which we have borrowed the three charming illustrations reproduced from his drawings, speaks as follows of English domestic architecture: “There is much to be seen from the railroad in the way of long rambling farmhouses and country houses of the modest kind, and... more...

by: Various
JAMES FENIMORE COOPER. The readers of the International have in the above engraving, from a Daguerreotype by Brady, the best portrait ever published of an illustrious countryman of ours, who, as a novelist, take him all in all, is entitled to precedence of every other now living. "With what amazing power," exclaims Balzac, in the Revue de Paris, "has he painted nature! how all his pages... more...

by: Various
I. SOUTHWEST ANGLE OF THE DUCAL PALACE, VENICE. Although the Ducal Palace is much larger than the other palaces of Venice, and intended for general civic uses as well as a residence for the Duke or Doge, it follows closely the type already described. It has undergone so many changes since its first foundation in about the year 800 (813 according to Ruskin), having been destroyed five times, and as... more...

by: Various
RENAISSANCE PANELS FROM PERUGIA. The carved walnut panels from the choir stalls of the Church of San Pietro de' Casinense in Perugia, designed by Stefano da Bergamo in 1535, which are given as illustrations in this number, are excellent examples of the ornament of the later period of the Italian Renaissance. This form of ornament was first used in flat painted panels upon pilasters, such as the... more...

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