Non-Classifiable Books

Showing: 651-660 results of 1768

CHAPTER I. LEAVING THE CASTLE. Olendorf is not far from Hamburg. The broad and sparkling Elbe washes it on the western side, and with the rugged mountains and the weird grand, old forests upon the north and east, seem to shut the little town quite in from the outer world; yet Olendorf had been an important place and on account of its grand old fortress, Castle Wernier, was a bone of contention... more...

THE BOOK OF EZEKIEL CHAMBERS OF IMAGERY 'Then said He unto me, Son of man, hast thou seen what the ancients of the house of Israel do in the dark, every man in the chambers of his imagery!'—EZEKIEL viii. 12. This is part of a vision which came to the prophet in his captivity. He is carried away in imagination from his home amongst the exiles in the East to the Temple of Jerusalem. There he... more...

EDITOR'S PREFACE Needlework, which is still practised traditionally in every house, was once a splendid art, an art in which English workers were especially famous, so that, early in the XIIIth century, vestments embroidered in England were eagerly accepted in Rome, and the kind of work wrought here was known over Europe as "English Work." Embroideries façon d'Angleterre often occupy... more...

INTRODUCTION. The establishment in Boston of an inquiry into the nutrition of man with the construction of a special laboratory for that purpose is a direct outcome of a series of investigations originally undertaken in the chemical laboratory of Wesleyan University, in Middletown, Connecticut, by the late Prof. W. O. Atwater. Appreciating the remarkable results of Pettenkofer and Voit and their... more...

INTRODUCTION I have known the author of "The Ideal Bartender" for many years, and it is a genuine privilege to be permitted to testify to his qualifications for such a work. To his many friends in St. Louis, Louisville, Cincinnati, Chicago and elsewhere, my word will be superfluous, but to those who do not know him, and who are to be the gainers by following his advices, it may prove at the... more...

EDITOR'S PREFACE. "Turner's Harbors of England," as it is generally called, is a book which, for various reasons, has never received from readers of Mr. Ruskin's writings the attention it deserves. True, it has always been sought after by connoisseurs, and collectors never fail with their eleven or twelve guineas whenever a set of Artist's Proofs of the First Edition of 1856... more...

THE VENETIAN PAINTERS OF THE RENAISSANCE I. Value of Venetian Art.—Among the Italian schools of painting the Venetian has, for the majority of art-loving people, the strongest and most enduring attraction. In the course of the present brief account of the life of that school we shall perhaps discover some of the causes of our peculiar delight and interest in the Venetian painters, as we come to... more...

PREFACE In presenting this study of Balzac's intimate relations with various women, the author regrets her inability, owing to war conditions, to consult a few books which are out of print and certain documents which have not appeared at all in print, notably the collection of the late Vicomte de Spoelberch de Lovenjoul. The author gladly takes this opportunity of acknowledging her deep gratitude... more...

[p5]INTRODUCTION. The Author of the book in hand, having passed through the various scenes through which he would accompany his readers, was prompted to make this offering to the craft and the public in order to relieve his mind of the thoughts had upon the subject of making shoes, as well as to contribute something of a literary character which, in the broad range of possibilities, may become useful... more...

PREFACE. It has long been a subject of regret that we should have so few remains of so great a writer as the author of the “Analogy,” not only the greatest thinker of his day, but one almost equally remarkable for his personal religion and amiability. The few fragments and letters which remain unpublished, derive from this circumstance a value wholly incommensurate with their extent, though, as to... more...