Non-Classifiable Books

CHAPTER I HOLBEIN'S PERIOD, PARENTAGE, ANDEARLY WORKHistorical epoch and antecedents—Special conditions and character of early Christian art—Ideals and influence of the monk—Holbein's relation to mediæval schools—His father, uncle, and Augsburg home—Probable dates for his birth and his father's death—Troubles and dispersion of the Augsburg household—From Augsburg to... more...

INTRODUCTION. William Edward Parry, the son of a physician, was born at Bath in December, 1790.  At the age of thirteen he was entered as a first-class volunteer on board the flag-ship of the Channel fleet, and after seven years’ service and careful study of his profession he obtained a commission in 1810 as lieutenant in the navy.  He was then at once, aged twenty, sent to the Arctic seas, where... more...

INTRODUCTION. In preparing the second number of our manual for Arbor Day, we have endeavored to keep in mind the fact that Arbor Day was originally designed not as a mere festival or holiday, a pleasant occasion for children or adults, but to encourage the planting of trees for a serious purpose—the lasting benefit of the country in all its interests. As the poet Whittier has so well said, "The... more...

GEORGE CARY EGGLESTON SOUTHERN LITERATURE [Speech of George Cary Eggleston at the first annual banquet of the New York Southern Society, February 22, 1887. Algernon Sidney Sullivan, President of the Society, was in the chair. In introducing the speaker Mr. Sullivan said: "We want to hear a word about 'Southern Literature,' and we will now call upon Mr. George Cary Eggleston to respond to... more...

CHAPTER 1. THE MASON-BEES. Reaumur (Rene Antoine Ferchault de Reaumur (1683-1757), inventor of the Reaumur thermometer and author of "Memoires pour servir a l'histoire naturelle des insectes."—Translator's Note.) devoted one of his papers to the story of the Chalicodoma of the Walls, whom he calls the Mason-bee. I propose to go on with the story, to complete it and especially to... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

Chapter I. The line of demarcation made between infancy and childhood, both by ancient and modern writers, has always been arbitrary. I would draw the line between the two, at a period of time which appears to me to be the most natural, the most simple, and least likely to lead the reader into the danger of misapplying any part of the practical directions of this, or any future chapter of the work. We... more...

The design of this book is twofold,—to meet the present demand for new selections suited to the spirit of the hour, and also to furnish a choice collection of standard pieces for elocutionary exercises on which time has set its lasting seal. In the execution of this design no pains have been spared in selecting and preparing the best pieces, both new and old. The extracts from recent productions,... more...

PREFACE I need not explain how these Shadows were suggested, to any one who has seen WILKIE'S picture, "The Rabbit on the Wall." But by what pains they were invented can never be revealed; for it is known to my tortured digits alone, and they, luckily for me, are dumb. I calculate that I put my ten fingers through hundreds of various exercises before my "Bird" took wing; my left... more...

CHAPTER I. OUR COTTAGE HOME. MY early days were all spent in the beautiful county of Dumfries, which Scotch folks call the Queen of the South. There, in a small cottage, on the farm of Braehead, in the parish of Kirkmahoe, I was born on the 24th May, 1824. My father, James Paton, was a stocking manufacturer in a small way; and he and his young wife, Janet Jardine Rogerson, lived on terms of warm... more...