Non-Classifiable Books

PREFACE. PREFACE TO THE SECOND EDITION. If I had chosen to introduce myself to the greatest possible advantage to the reader, in this Preface to a Second Edition of the "Bibliographical, Antiquarian, and Picturesque Tour," I could not have done better than have borrowed the language of those Foreigners, who, by a translation of the Work (however occasionally vituperative their criticisms) have,... more...

FOREWORD Piracy embodies the romance of the sea at its highest expression. It is a sad but inevitable commentary on our civilization, that, so far as the sea is concerned, it has developed from its infancy down to a century or so ago, under one phase or another of piracy. If men were savages on land they were doubly so at sea, and all the years of maritime adventure—years that added to the map of the... more...

"HOW PLEASANT TO KNOW MR. LEAR!" "How pleasant to know Mr. Lear!"Who has written such volumes of stuff! Some think him ill-tempered and queer,But a few think him pleasant enough. His mind is concrete and fastidious,His nose is remarkably big; His visage is more or less hideous,His beard it resembles a wig. He has ears, and two eyes, and ten fingers,Leastways if you reckon two thumbs;... more...

The few pages of which the present edition is composed, were principally written under the circumstances there stated, which had forcibly called my attention to the fatal effects of those ever-recurring tempests, which scatter devastation and misery round our coasts, where the veteran commander and his hardy crew, with their helpless passengers of every age and station in life, are left wretchedly to... more...

CHAPTER I. To produce a good balance staff requires more skill than to produce any other turned portion of a watch, and your success will depend not alone on your knowledge of its proper shape and measurements, nor the tools at your command, but rather upon your skill with the graver and your success in hardening and tempering. There are many points worthy of consideration in the making of a balance... more...

INTRODUCTION. It is less than twenty-five years since the first cold Grapery was erected on the Hudson. Since the success of the culture of the delicious varieties of the exotic Grape has been demonstrated, the number of graperies has annually increased, and during the last ten years in a very rapid ratio, until they have become recognized as possible and desirable, among those even whose circumstances... more...

I. The first sign of our approach to Lourdes was a vast wooden cross, crowning a pointed hill. We had been travelling all day, through the August sunlight, humming along the straight French roads beneath the endless avenues; now across a rich plain, with the road banked on either side to avert the spring torrents from the Pyrenees; now again mounting and descending a sudden shoulder of hill. A few... more...

CHAPTER I THE RECOVERERS OF REMBRANDT Imagine a man, a citizen of London, healthy, middle-aged, successful in business, whose interest in golf is as keen, according to his lights and limitations, as the absorption of Rembrandt in art. Suppose this citizen, having one day a loose half-hour of time to fill in the neighbourhood of South Kensington, remembers the articles he has skimmed in the papers about... more...

TO THE READER. The revolution of the 20th of March will form unquestionably the most remarkable episode in the life of Napoleon, so fertile as it is in supernatural events. It has not been my intention, to write the history of it: this noble task is above my powers: I have only attempted, to place Napoleon on the stage of action, and oppose his words, his deeds, and the truth, to the erroneous... more...

PREFACE Many attempts have been made by writers on art and poetry to define beauty in the abstract, to express it in the most general terms, to find a universal formula for it. The value of these attempts has most often been in the suggestive and penetrating things said by the way. Such discussions help us very little to enjoy what has been well done in art or poetry, to discriminate between what is... more...