Non-Classifiable Books

Showing: 1231-1240 results of 1768

CHAPTER 1. THE MASON-BEES. Reaumur (Rene Antoine Ferchault de Reaumur (1683-1757), inventor of the Reaumur thermometer and author of "Memoires pour servir a l'histoire naturelle des insectes."—Translator's Note.) devoted one of his papers to the story of the Chalicodoma of the Walls, whom he calls the Mason-bee. I propose to go on with the story, to complete it and especially to... more...

THE ORATORIO. The oratorio in its modern form is a musical setting of a sacred story or text in a style more or less dramatic. Its various parts are assigned to the four solo voices and to single or double chorus, with accompaniment of full orchestra, sometimes amplified by the organ. Like the opera, it has its recitative, linking together and leading up to the various numbers. The origin of the word... more...

Chapter I. The line of demarcation made between infancy and childhood, both by ancient and modern writers, has always been arbitrary. I would draw the line between the two, at a period of time which appears to me to be the most natural, the most simple, and least likely to lead the reader into the danger of misapplying any part of the practical directions of this, or any future chapter of the work. We... more...

FOREWORD As this book is written for boys of all ages, it has been divided under two general heads, "The Tomahawk Camps" and "The Axe Camps," that is, camps which may be built with no tool but a hatchet, and camps that will need the aid of an axe. The smallest boys can build some of the simple shelters and the older boys can build the more difficult ones. The reader may, if he likes,... more...

The design of this book is twofold,—to meet the present demand for new selections suited to the spirit of the hour, and also to furnish a choice collection of standard pieces for elocutionary exercises on which time has set its lasting seal. In the execution of this design no pains have been spared in selecting and preparing the best pieces, both new and old. The extracts from recent productions,... more...

PREFACE I need not explain how these Shadows were suggested, to any one who has seen WILKIE'S picture, "The Rabbit on the Wall." But by what pains they were invented can never be revealed; for it is known to my tortured digits alone, and they, luckily for me, are dumb. I calculate that I put my ten fingers through hundreds of various exercises before my "Bird" took wing; my left... more...

BOOK ONE VINCENT: Who would have thought, O my good uncle, a few years past, that those in this country who would visit their friends lying in disease and sickness would come, as I do now, to seek and fetch comfort of them? Or who would have thought that in giving comfort to them they would use the way that I may well use to you? For albeit that the priests and friars be wont to call upon sick men to... more...

CHAPTER I. OUR COTTAGE HOME. MY early days were all spent in the beautiful county of Dumfries, which Scotch folks call the Queen of the South. There, in a small cottage, on the farm of Braehead, in the parish of Kirkmahoe, I was born on the 24th May, 1824. My father, James Paton, was a stocking manufacturer in a small way; and he and his young wife, Janet Jardine Rogerson, lived on terms of warm... more...

The Story of Joseph This is the story of Joseph, the boy who had the strangest and most exciting adventures of any boy who ever lived. Joseph was but a little lad when his mother died. His father, Jacob, had loved that mother more than any one else in the world, so that when she died leaving Joseph and a baby brother, Benjamin, all the love in the father's heart turned to his two little sons. The... more...

Eulalia. God spede, & a thousand mine old acqueintāce. xantippa. xan. As many agayn, my dere hert. Eulalia. me semets ye ar warē much faire now of late. Eula. Saye you so? gyue you me a mocke at the first dash. xan. Nay veryly but I take you so. Eula. Happely mi new gown maketh me to loke fayrer then I sholde doe. xan. Sothe you saye, I haue not sene a mynioner... more...