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HOW THEY STRUCK A CONTEMPORARY There is such a thing as robbing a story of its reality by trying to make it too true, and The Black Arrow is so inartistic as not to contain a single anachronism to boast of, while the transformation of Dr. Jekyll reads dangerously like an experiment out of the Lancet.  As for Mr. Rider Haggard, who really has, or had once, the makings of a perfectly magnificent liar,... more...

CHAPTER I OF PROFIT AND HONESTY No man is free from speaking foolish things; but the worst on't is, when a man labours to play the fool: "Nae iste magno conatu magnas nugas dixerit."      ["Truly he, with a great effort will shortly say a mighty trifle."     —-Terence, Heaut., act iii., s. 4.] This does not concern me; mine slip from me with as little care as they are... more...

LOUIS AGASSIZ[1] It would be unnatural to have such an assemblage as this meet in the Museum and Faculty Room of this University and yet have no public word spoken in honor of a name which must be silently present to the minds of all our visitors. At some near future day, it is to be hoped some one of you who is well acquainted with Agassiz's scientific career will discourse here concerning... more...

CHAPTER I OF THE INCONSTANCY OF OUR ACTIONS Such as make it their business to oversee human actions, do not find themselves in anything so much perplexed as to reconcile them and bring them into the world's eye with the same lustre and reputation; for they commonly so strangely contradict one another that it seems impossible they should proceed from one and the same person. We find the younger... more...

THE SPIRIT OF PLACE With mimicry, with praises, with echoes, or with answers, the poets have all but outsung the bells.  The inarticulate bell has found too much interpretation, too many rhymes professing to close with her inaccessible utterance, and to agree with her remote tongue.  The bell, like the bird, is a musician pestered with literature. To the bell, moreover, men do actual violence.  You... more...

THE HERO. His name is George, generally speaking. "Call me George!" he says to the heroine. She calls him George (in a very low voice, because she is so young and timid). Then he is happy. The stage hero never has any work to do. He is always hanging about and getting into trouble. His chief aim in life is to be accused of crimes he has never committed, and if he can muddle things up with a... more...

CHAPTER 1—“Uncle Sam” The gentleman who graced the gubernatorial armchair of our state when this century was born happened to be an admirer of classic lore and the sonorous names of antiquity. It is owing to his weakness in bestowing pompous cognomens on our embryo towns and villages that to-day names like Utica, Syracuse, and Ithaca, instead of evoking visions of historic pomp and circumstance,... more...

I Once upon a time there lived upon an island a merry and innocent people, mostly shepherds and tillers of the earth. They were republicans, like all primitive and simple souls; they talked over their affairs under a tree, and the nearest approach they had to a personal ruler was a sort of priest or white witch who said their prayers for them. They worshipped the sun, not idolatrously, but as the... more...

I. HISTORY. THERE is one mind common to all individual men. Every man is an inlet to the same and to all of the same. He that is once admitted to the right of reason is made a freeman of the whole estate. What Plato has thought, he may think; what a saint has felt, he may feel; what at any time has befallen any man, he can understand. Who hath access to this universal mind is a party to all that is or... more...

Jean Valjean The hero is not a luxury, but a necessity. We can no more do without him than we can do without the sky. Every best man and woman is at heart a hero-worshiper. Emerson acutely remarks that all men admire Napoleon because he was themselves in possibility. They were in miniature what he was developed. For a like though nobler reason, all men love heroes. They are ourselves grown tall,... more...

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