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Showing: 1-10 results of 181

CHAPTER I. Walter Scott.[1] It was reserved for Walter Scott, "the Ariosto of the North," "the historiographer royal of feudalism," to accomplish the task which his eighteenth-century forerunners had essayed in vain. He possessed the true enchanter's wand, the historic imagination. With this in his hand, he raised the dead past to life, made it once more conceivable, made it even actual. Before Scott no genius of the highest order had lent... more...

OVER THE WAY I had been living at Tunbridge Wells and nowhere else, going on for ten years, when my medical man—very clever in his profession, and the prettiest player I ever saw in my life of a hand at Long Whist, which was a noble and a princely game before Short was heard of—said to me, one day, as he sat feeling my pulse on the actual sofa which my poor dear sister Jane worked before her spine came on, and laid her on a board for... more...

BRITANNIA. I. The people that now occupies England was formed, like the French people, by the fusion of several superimposed races. In both countries the same races met and mingled at about the same period, but in different proportions and under dissimilar social conditions. Hence the striking resemblances and sharply defined contrasts that exist in the genius of the two nations. Hence also the contradictory sentiments which mutually animated... more...

CHAPTER I—THE VILLAGE “And a mighty sing’lar and pretty place it is, as ever I saw in all the days of my life!” said Captain Jorgan, looking up at it. Captain Jorgan had to look high to look at it, for the village was built sheer up the face of a steep and lofty cliff.  There was no road in it, there was no wheeled vehicle in it, there was not a level yard in it.  From the sea-beach to the cliff-top two... more...

CHAPTER I. A young lady sat pricking a framed canvas in the drawing-room of Kent Villa, a mile from Gravesend; she was making, at a cost of time and tinted wool, a chair cover, admirably unfit to be sat upon—except by some severe artist, bent on obliterating discordant colors. To do her justice, her mind was not in her work; for she rustled softly with restlessness as she sat, and she rose three times in twenty minutes, and went to the... more...


IN A BACK ROOM "For one shall grasp, and one resign,One drink life's rue, and one its wine,And God shall make the balance good." —Whittier. Elsie Kilner had a battle to fight, and it must be fought after her own fashion. It was the kind of battle which is fought every day and every hour; but the battlefield is always a silent place, and there is neither broken weapon nor crimson stain to tell us where the strife has been. Elsie's... more...

CHAPTER I. One summer afternoon, Helen Woodbourne returned from her daily walk with her sisters, and immediately repaired to the school-room, in order to put the finishing touches to a drawing, with which she had been engaged during the greater part of the morning. She had not been long established there, before her sister Katherine came in, and, taking her favourite station, leaning against the window shutter so as to command a good view of the... more...

CHAPTER I: ADVENTURES AMONG BOOKS I In an age of reminiscences, is there room for the confessions of a veteran, who remembers a great deal about books and very little about people?  I have often wondered that a Biographia Literaria has so seldom been attempted—a biography or autobiography of a man in his relations with other minds.  Coleridge, to be sure, gave this name to a work of his, but he wandered from his apparent purpose... more...

CHAPTER I. A PRELIMINARY VIEW. Anglo-Saxon literature is the oldest of the vernacular literatures of modern Europe; and it is a consequence of this that its relations with Latin literature have been the closest. All the vernacular literatures have been influenced by the Latin, but of Anglo-Saxon literature alone can it be said that it has been subjected to no other influence. This literature was nursed by, and gradually rose out of, Latin... more...

STYLE [5] SINCE all progress of mind consists for the most part in differentiation, in the resolution of an obscure and complex object into its component aspects, it is surely the stupidest of losses to confuse things which right reason has put asunder, to lose the sense of achieved distinctions, the distinction between poetry and prose, for instance, or, to speak more exactly, between the laws and characteristic excellences of verse and prose... more...