Literary Collections
- American 84
- Ancient, Classical & Medieval 14
- Asian 1
- Australian & Oceanian 1
- Canadian 55
- Continental European 121
- English, Irish, Scottish, Welsh
- Essays 160
- General 24
- Letters 46
- Middle Eastern 1
English, Irish, Scottish, Welsh Books
Sort by:
by:
William Carleton
GOING TO MAYNOOTH. Young Denis O'Shaughnessy was old Denis's son; and old Denis, like many great men before him, was the son of his father and mother in particular, and a long line of respectable ancestors in general. He was, moreover, a great historian, a perplexing controversialist, deeply read in Dr. Gallagher and Pastorini, and equally profound in the history of Harry the Eighth, and...
more...
CHAPTER I The Irish police barrack is invariably clean, occasionally picturesque, but it is never comfortable. The living-room, in which the men spend their spare time, is furnished with rigid simplicity. There is a table, sometimes two tables, but they have iron legs. There are benches to sit on, very narrow, and these also have iron legs. Iron is, of course, harder than wood. Men who are forced to...
more...
DEDICATION. MY DEAR WILLIAM ARCHER, Severe and ruthlessly honest man that you are, you will find that the levities and the gravities of this book do not accord, and will say so. I plead only that they were written at intervals, and in part for recreation, during years in which their author has striven to maintain a cheerful mind while a popular philosophy which he believed to be cheap took possession...
more...
by:
Victoria Cross
CHAPTER I THE TAKU INLET It was just striking three as I came up the companion-stairs on to the deck of the Cottage City, into the clear topaz light of a June morning in Alaska: light that had not failed through all the night, for in this far northern latitude the sun only just dips beneath the horizon at midnight for an hour, leaving all the earth and sky still bathed in limpid yellow light, gently...
more...
FASHIONABLE PHILOSOPHY. Scene—A London Drawing-room. Time—5 o’clock p.m. The afternoon tea apparatus in one corner of the room, and Lady Fritterly on a couch in another. The Hon. Mrs Allmash is announced. Lady Fritterly. How too kind, dear, of you to come, and so early, too! I’ve got such a lot of interesting people coming, and we are going to discuss the religion of the future. Mrs...
more...
by:
William Carleton
PART I. Fardorougha, the Miser. It was on one of those nights in August, when the moon and stars shine through an atmosphere clear and cloudless, with a mildness of lustre almost continental, that a horseman, advancing at a rapid pace, turned off a remote branch of road up a narrow lane, and, dismounting before a neat whitewashed cottage, gave a quick and impatient knock at the door. Almost instantly,...
more...
by:
George Gissing
CHAPTER I On the station platform at Dudley Port, in the dusk of a February afternoon, half-a-dozen people waited for the train to Birmingham. A south-west wind had loaded the air with moisture, which dripped at moments, thinly and sluggishly, from a featureless sky. The lamps, just lighted, cast upon wet wood and metal a pale yellow shimmer; voices sounded with peculiar clearness; so did the rumble of...
more...
by:
George Meredith
CHAPTER I. ABOVE BUTTONS Long after the hours when tradesmen are in the habit of commencing business, the shutters of a certain shop in the town of Lymport-on-the-Sea remained significantly closed, and it became known that death had taken Mr. Melchisedec Harrington, and struck one off the list of living tailors. The demise of a respectable member of this class does not ordinarily create a profound...
more...
INTRODUCTION THE KINDS OF CRITICISM It is probably unnecessary, and might possibly be impertinent, to renew here at any length the old debate between reviewers as reviewers, and reviewers as authors—the debate whether the reissue of work contributed to periodicals is desirable or not. The plea that half the best prose literature of this century would be inaccessible if the practice had been...
more...
by:
Walter Pater
[3] THE making of an anthology of English prose is what must have occurred to many of its students, by way of pleasure to themselves, or of profit to other persons. Such an anthology, the compass and variety of our prose literature being considered, might well follow exclusively some special line of interest in it; exhibiting, for instance, what is so obviously striking, its imaginative power, or its...
more...