English, Irish, Scottish, Welsh Books

INTRODUCTION A section of a long and splendid literature can be most conveniently treated in one of two ways. It can be divided as one cuts a currant cake or a Gruyère cheese, taking the currants (or the holes) as they come. Or it can be divided as one cuts wood—along the grain: if one thinks that there is a grain. But the two are never the same: the names never come in the same order in actual time... more...

Part 1—Chapter I. Like most other Children, who should be my Godfather is decided by Mammon—So precocious as to make some Noise in the World, and be hung a few days after I was born—Cut down in Time, and produce a Scene of Bloodshed—My early Propensities fully developed by the Choice of my Profession. Those who may be pleased to honour these pages with a perusal, will not be detained with a... more...

I am sorry not to have been able to persuade my old friend, George Radford, who wrote the paper on ‘Falstaff’ in the former volume, to contribute anything to the second series of Obiter Dicta.  In order to enjoy the pleasure of reading your own books over and over again, it is essential that they should be written either wholly or in part by somebody else. Critics will probably be found ready to... more...

CHAPTER I The Irish police barrack is invariably clean, occasionally picturesque, but it is never comfortable. The living-room, in which the men spend their spare time, is furnished with rigid simplicity. There is a table, sometimes two tables, but they have iron legs. There are benches to sit on, very narrow, and these also have iron legs. Iron is, of course, harder than wood. Men who are forced to... more...

SOME THOUGHTS OF A READER OF TENNYSON Fifty years after Tennyson’s birth he was saluted a great poet by that unanimous acclamation which includes mere clamour.  Fifty further years, and his centenary was marked by a new detraction.  It is sometimes difficult to distinguish the obscure but not unmajestic law of change from the sorry custom of reaction.  Change hastes not and rests not, reaction... more...

NOTES UPON GEORGE BORROW. I.  Borrow as a Splendid Literary Amateur. There are some writers who cannot be adequately criticised—who cannot, indeed, be adequately written about at all—save by those to whom they are personally known.  I allude to those writers of genius who, having only partially mastered the art of importing their own individual characteristics into literary forms, end their... more...

I ~~ OUR CASUALTY There is not in the whole British Isles a more efficient military body than the Ballyhaine Veterans' Corps. The men look like soldiers when they have their grey uniforms on and their brassards on their sleeves. They talk like soldiers. They have the true military spirit. There is not a man in the company under fifty years of age, but if the Germans attempt a landing on the... more...

The Lady Paramount I On the twenty-second anniversary of Susanna's birth, old Commendatore Fregi, her guardian, whose charge, by the provisions of her father's will, on that day terminated, gave a festa in her honour at his villa in Vallanza. Cannon had been fired in the morning: two-and-twenty salvoes, if you please, though Susanna had protested that this was false heraldry, and that it... more...

CHAPTER I. THE GOVERNOR EXPLAINS. At the request of a person who has claims on me that I must not disown, I consent to look back through a long interval of years and to describe events which took place within the walls of an English prison during the earlier period of my appointment as Governor. Viewing my task by the light which later experience casts on it, I think I shall act wisely by exercising... more...

CHAPTER I THE OLD SEA-DOG AT THE “ADMIRAL BENBOW” Squire Trelawney, Dr. Livesey, and the rest of these gentlemen, having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17—, and go back to the... more...