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Showing: 1-10 results of 121

OF "THE NOVEL"    do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new book. Among many laudatory phrases, I... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron gates were eaten away by rust, the holes in the broken windows... more...

"After all," Count d'Avorsy said, stirring his tea with the slow movements of a prelate, "what truth was there in anything that was said at Court, almost without any restraint, and did the Empress, whose beauty has been ruined by some secret grief, who will no longer see anyone and who soothes her continual mental weariness by some journeys without an object and without a rest, in foggy and melancholy islands, and did she really forget Caesar's... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in the same manner, or else were indulging in... more...

The most robust and masculine of recent French novelists is a typical Norman, sprung from an ancient noble family, originally of Lorraine, but long settled in the Pays de Caux. The traveler from England towards Paris, soon after leaving Dieppe, sees on his left hand, immediately beyond the station of St. Aubin, a handsome sixteenth-century house, the Château de Miromesnil, on a hill above the railway. Here, surrounded by the relics of his... more...


The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among work which we can apprehend as dealing justly... more...

CHAPTER I—M. MYRIEL In 1815, M. Charles-Francois-Bienvenu Myriel was Bishop of D—— He was an old man of about seventy-five years of age; he had occupied the see of D—— since 1806. Although this detail has no connection whatever with the real substance of what we are about to relate, it will not be superfluous, if merely for the sake of exactness in all points, to mention here the various rumors and remarks which... more...

In those days Balthasar, whom the Greeks called Saracin, reigned in Ethiopia. He was black, but comely of countenance. He had a simple soul and a generous heart The third year of his reign, which was the twenty-second of his age, he left his dominions on a visit to Balkis, Queen of Sheba. The mage Sembobitis and the eunuch Menkera accompanied him. He had in his train seventy-five camels bearing cinnamon, myrrh, gold dust, and elephants' tusks.... more...

BISMARCK AS A NATIONAL TYPE[1] BY KUNO FRANCKE, PH.D., LL.D., Litt.D. Professor of the History ofGerman Culture, Harvard University. No man since Luther has been a more complete embodiment of German nationality than Otto von Bismarck. None has been closer to the German heart. None has stood more conspicuously for racial aspirations, passions, ideals. It is the purpose of the present sketch to bring out a few of these affinities between... more...

COUSIN PONS Towards three o'clock in the afternoon of one October day in the year 1844, a man of sixty or thereabouts, whom anybody might have credited with more than his actual age, was walking along the Boulevard des Italiens with his head bent down, as if he were tracking some one. There was a smug expression about the mouth—he looked like a merchant who has just done a good stroke of business, or a bachelor emerging from a boudoir in... more...