Literary Collections Books

DREAMTHORP It matters not to relate how or when I became a denizen of Dreamthorp; it will be sufficient to say that I am not a born native, but that I came to reside in it a good while ago now. The several towns and villages in which, in my time, I have pitched a tent did not please, for one obscure reason or another; this one was too large, t'other too small; but when, on a summer evening about... more...

LOST LEADERS. SCOTCH RIVERS. September is the season of the second and lovelier youth of the river-scenery of Scotland.  Spring comes but slowly up that way; it is June before the woods have quite clothed themselves.  In April the angler or the sketcher is chilled by the east wind, whirling showers of hail, and even when the riverbanks are sweet with primroses, the bluff tops of the border hills are... more...

In a little place called Le Monastier, in a pleasant highland valley fifteen miles from Le Puy, I spent about a month of fine days.  Monastier is notable for the making of lace, for drunkenness, for freedom of language, and for unparalleled political dissension.  There are adherents of each of the four French parties—Legitimists, Orleanists, Imperialists, and Republicans—in this little... more...

One of the most amusing questions concerning the short story is why a form which is singly so attractive that every one likes to read a short story when he finds it alone is collectively so repellent as it is said to be. Before now I have imagined the case to be somewhat the same as that of a number of pleasant people who are most acceptable as separate householders, but who lose caste and cease to be... more...

ESSAY I. ON THE PLEASURE OF PAINTING 'There is a pleasure in painting which none but painters know.' In writing, you have to contend with the world; in painting, you have only to carry on a friendly strife with Nature. You sit down to your task, and are happy. From the moment that you take up the pencil, and look Nature in the face, you are at peace with your own heart. No angry passions rise... more...

MADAME FIRMIANI Many tales, either rich in situations or made dramatic by some of the innumerable tricks of chance, carry with them their own particular setting, which can be rendered artistically or simply by those who narrate them, without their subjects losing any, even the least of their charms. But there are some incidents in human experience to which the heart alone is able to give life; there... more...

The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among... more...

THE DOME He wakened from a charming dream, in which the hat had played a conspicuous part. 'I shouldn't mind having that hat,' he murmured. A darkness which no eye could penetrate surrounded him as he lay in bed. Absolute obscurity was essential to the repose of that singular brain, and he had perfected arrangements for supplying the deficiencies of Nature's night. He touched a... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron... more...

Chapter One If Dad had been a coal baron, like Mr. Tudor Carstairs, or a stock-watering captain of industry, like Mrs. Sanderson-Spear's husband, or descended from a long line of whisky distillers, like Mrs. Carmichael Porter, why, then his little Elizabeth would have been allowed the to sit in seat of the scornful with the rest of the Four Hundred, and this story would never have been written.... more...