Short Stories (single author) Books

The lover of the moral picturesque may sometimes find what he, seeks in a character which is nevertheless of too negative a description to be seized upon and represented to the imaginative vision by word-painting. As an instance, I remember an old man who carries on a little trade of gingerbread and apples at the depot of one of our railroads. While awaiting the departure of the cars, my observation,... more...

INTRODUCTION The testimony of librarians as to the kind of books people are reading nowadays is somewhat discouraging to the book-lover who has been brought up in the old traditions. We are told that Scott and Thackeray and George Eliot cannot compete with the year's "best sellers," and that the old classics are read only by the few who have a cultivated taste and a trained intelligence.... more...

I Little George was making hills of sand in one of the walks; he took it up with both his hands, made it into a pyramid, and then put a chestnut leaf on the top, and his father, sitting on an iron chair was looking at him with concentrated and affectionate attention, and saw nobody but him in that small public garden which was full of people. All along the circular road other children were occupied in... more...

This is Marny's story, not mine. He had a hammer in his hand at the time and a tack between his teeth. "Going to hang Fiddles right under the old fellow's head," he burst out. "That's where he belongs. I'd have given a ten-acre if he could have drawn a bead on that elk himself. Fiddles behind a .44 Winchester and that old buck browsing to windward"—and he nodded at... more...

Stetson paced the landing control bridge of his scout cruiser. His footsteps grated on a floor that was the rear wall of the bridge during flight. But now the ship rested on its tail fins—all four hundred glistening red and black meters of it. The open ports of the bridge looked out on the jungle roof of Gienah III some one hundred fifty meters below. A butter yellow sun hung above the horizon,... more...

Count Eustache d'Etchegorry's solitary country house had the appearance of a poor man's home, where people do not have enough to eat every day in the week, where the bottles are more frequently filled at the pump than in the cellar, and where they wait until it is dark before lighting the candles. It was an old and sordid building; the walls were crumbling to pieces, the grated, iron... more...

The first aim of art, no doubt, is the representation of things as they are. But then things are as our eyes see them and as our minds make them; and it is thus of primary importance for the critic to distinguish the precise qualities of the eyes and minds which make the world into imaginative literature. Reality may be so definite and so false, just as it may be so fantastic and so true; and, among... more...

OF "THE NOVEL"  do not intend in these pages to put in a plea for this little novel. On the contrary, the ideas I shall try to set forth will rather involve a criticism of the class of psychological analysis which I have undertaken in Pierre et Jean. I propose to treat of novels in general. I am not the only writer who finds himself taken to task in the same terms each time he brings out a new... more...

DEFINITION AND DEVELOPMENT Mankind has always loved to tell stories and to listen to them. The most primitive and unlettered peoples and tribes have always shown and still show this universal characteristic. As far back as written records go we find stories; even before that time, they were handed down from remote generations by oral tradition. The wandering minstrel followed a very ancient profession.... more...

MOON-FACE John Claverhouse was a moon-faced man. You know the kind, cheek-bones wide apart, chin and forehead melting into the cheeks to complete the perfect round, and the nose, broad and pudgy, equidistant from the circumference, flattened against the very centre of the face like a dough-ball upon the ceiling. Perhaps that is why I hated him, for truly he had become an offense to my eyes, and I... more...