Classics Books

PREFACE While this volume is largely of an autobiographical character, it will be found to contain also a variety of general information concerning the Franco-German War of 1870-71, more particularly with respect to the second part of that great struggle—the so-called "People's War" which followed the crash of Sedan and the downfall of the Second French Empire. If I have incorporated... more...

MOONLIGHT ON THE RIO GILA. Along the eastern bank a small Indian canoe, containing a single individual, was stealing its way—"hugging" the shore so as to take advantage of the narrow band of shadow that followed the winding of the stream. There were no trees on either side of the river, but this portion was walled in by bluffs, rising from three or four to fully twenty feet in height. The... more...

The patience with which mankind submits to the demands of tyrants has been the wonder of each succeeding age, and heroes are made of those who break one yoke only to bow with servility to a greater. The Roman soldier, returning from wars in which his valor had won wealth and empire for his rulers, was easily content to become first a tenant, and then a serf, upon the very lands he had tilled as owner... more...

I.   The Beautiful is one of the immortal themes. It cannot die; it grows not old. On the same day with the sun was beauty born, and its life runs parallel with the path of that great beautifier. As a subject for exposition, it is at once easy and difficult: easy, from the affluence of its resources; difficult, from the exactions which its own spirit makes in the use of them. Beauty—what is it? To... more...

"Him?" the local postmaster of Calivada would say, in reply to your question about the quaint little old man who had just ambled away from the desk with a bundle of letters stuffed in his pocket. "Why, that's Lightnin' Bill Jones! We call him Lightnin' because he ain't. Nature didn't give no speed to Bill. No, sir, far as I know, Lightnin' 'ain't... more...

CHAPTER I. HOW I TUMBLED DOWNHILL. It is not easy for one to believe that he ever was a cub. Of course, I know that I was, and as it was only nine years ago I ought to remember it fairly clearly. It is not so much a mere matter of size, although it is doubtful if any young bear realizes how small he is. My father and mother seemed enormous to me, but, on the other hand, my sister was smaller than I,... more...

1. A Horror from the Past   drab gray sheet of cloud slipped stealthily from the moon's round face, like a shroud slipping from the face of one long dead, a coldly phosphorescent face from which the eyes had been plucked. Yellow radiance fell toward a calm, oily sea, seeking a narrow bank of fog lying low on the water, penetrating its somber mass like frozen yellow fingers. Vilma Bradley... more...

John Stuart Mill defines Prohibition in this language: “Prohibition: A theory of ‘social rights’ which is nothing short of this—that it is the absolute right of every individual that every other individual shall act in every respect exactly as he ought; that whosoever fails thereof in the smallest particular violates my social rights and entitles me to demand from the legislature the removal of... more...

INTRODUCTION. POETIC JUSTICE OF THE EXPOSURE. That the inventors of an infamous fraud should deal to it its death-blow, is the poetic justice of fate. Over the creature, the creator has power of life and death. The creators of Spiritualism abjure its infamy. They decree its death. They condemn it to final destruction. They fasten upon those who continue to practice it the obloquy of history, and the... more...

INTRODUCTION AND ANALYSIS. The awe with which Plato regarded the character of 'the great' Parmenides has extended to the dialogue which he calls by his name. None of the writings of Plato have been more copiously illustrated, both in ancient and modern times, and in none of them have the interpreters been more at variance with one another. Nor is this surprising. For the Parmenides is more... more...