Classics Books

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

Although the Masquerade itself, as a necessary protection against non-telepaths, was not fully formulated until the late years of the Seventeenth Century, groups of telepaths-in-hiding existed long before that date. Whether such groups were the results of natural mutations, or whether they came into being due to some other cause, has not yet been fully determined, but that a group did exist in the... more...

ACT I. SCENE I.—DONNA ELVIRA, ELIZA. ELVIRA. No, the hidden feelings of my heart were not regulated by choice: whatever the Prince may be, there is nothing in him to make me prefer his love. Don Silvio shows, as well as he, all the qualities of a renowned hero. The same noble virtues and the same high birth made me hesitate whom to prefer. If aught but merit could gain my heart, the conqueror were... more...

CHAPTER I."Filled with the face of heaven, which from afarComes down upon the waters; all its hues,From the rich sunset to the rising star,Their magical variety diffuse:And now they change: a paler shadow strewsIts mantle o'er the mountains; parting dayDies like the dolphin, whom each pang imbuesWith a new color as it gasps away,The last still loveliest, till--'tis gone--and all is... more...

CHAPTER I THE MELON HARVEST Once upon a time I owned a watermelon. I say once because I never did it again. When I got through owning that melon I never wanted another. The time was 1831; I was a boy of seven and the melon was the first of all my harvests. Every night and morning I watered and felt and surveyed my watermelon. My pride grew with the melon and, by and by, my uncle tried to express the... more...

SAHARA LIMITED Sir Robert Aylward, Bart., M.P., sat in his office in the City of London. It was a very magnificent office, quite one of the finest that could be found within half a mile of the Mansion House. Its exterior was built of Aberdeen granite, a material calculated to impress the prospective investor with a comfortable sense of security. Other stucco, or even brick-built, offices might crumble... more...

THE FIRST PHILIPPIC. THE ARGUMENT When Julius, or, as he is usually called by Cicero Caius Caesar was slain on the 15th of March, A.U.C. 710, B.C. 44 Marcus Antonius was his colleague in the consulship, and he, being afraid that the conspirators might murder him too, (and it is said that they had debated among themselves whether they would or no) concealed himself on that day and fortified his house,... more...

By other Nature books I'm sure, You've often been misled, You've tried a wall-flower to secure. And "picked a hen" instead: You've wondered what the egg-plants lay, And why the chestnut's burred, And if the hop-vine hops away, It's perfectly absurd. I hence submit for your inspection, This very new and choice collection, Of flowers on Storks, and Phlox of birds,... more...

PREFACE This little volume is intended to be both companion and complement to "Stories and Pictures," by I. L. Perez, published by the Jewish Publication Society of America, in 1906. Its object was twofold: to introduce the non-Yiddish reading public to some of the many other Yiddish writers active in Russian Jewry, and—to leave it with a more cheerful impression of Yiddish literature than it... more...