Classics Books

CHAPTER I TOM'S CHOICE "I can be of no use here, Carry. What am I good for? Why, I could not earn money enough to pay for my own food, even if we knew anyone who would help me to get a clerkship. I am too young for it yet. I would rather go before the mast than take a place in a shop. I am too young even to enlist. I know just about as much as other boys at school, and I certainly have no... more...

CHAPTER I. A HOME BROKEN UP. W ell, mother, one thing is certain—something has got to be done. It is no use crying over spilt milk, that I can see. It is a horribly bad business, but grieving over it won't make it any better. What one has got to do is to decide on some plan or other, and then set to work to carry it out." The speaker, Wilfrid Renshaw, was a boy between fifteen and sixteen... more...

ACT I. SCENE I.—The Hall of an Inn. Enter TOM FASHION and LORY, POSTILION following with a portmanteau. Fash. Lory, pay the postboy, and take the portmanteau. Lory. [Aside to TOM FASHION.] Faith, sir, we had better let the postboy take the portmanteau and pay himself. Fash. [Aside to LORY.] Why, sure, there's something left in it! Lory. Not a rag, upon my honour, sir! We eat the last of your... more...

CHAPTER I. MRS. HARDY'S RESOLUTION. "What are you thinking of, Frank?" Mrs. Hardy asked her husband one evening, after an unusually long silence on his part. "Well, my dear, I was thinking of a good many things. In the first place, I think, I began with wondering what I should make of the boys; and that led to such a train of thoughts about ourselves and our circumstances that I hardly... more...

THE MYSTERY OF WITCH-FACE MOUNTAIN. I. The beetling crags that hang here and there above the gorge hold in their rugged rock sculpture no facial similitudes, no suggestions. The jagged outlines of shelving bluffs delineate no gigantic profile against the sky beyond. One might seek far and near, and scan the vast slope with alert and expectant gaze, and view naught of the semblance that from time... more...

AN ESSAY ON THE MATERIAL AND SPIRITUAL UNIVERSE. It is with humility really unassumed—it is with a sentiment even of awe—that I pen the opening sentence of this work: for of all conceivable subjects I approach the reader with the most solemn—the most comprehensive—the most difficult—the most august. What terms shall I find sufficiently simple in their sublimity—sufficiently sublime in their... more...

PROLOGUE. A Castle in Normandy. Interior of the Hall. Roofs of a City seen thro' Windows. HENRY and BECKET at chess. HENRY.So then our good Archbishop TheobaldLies dying. BECKET.I am grieved to know as much. HENRY.But we must have a mightier man than heFor his successor. BECKET.                   Have you thought of one? HENRY.A cleric lately poison'd his own mother,And... more...

LECTURE I THE TYPES OF PHILOSOPHIC THINKING As these lectures are meant to be public, and so few, I have assumed all very special problems to be excluded, and some topic of general interest required. Fortunately, our age seems to be growing philosophical again—still in the ashes live the wonted fires. Oxford, long the seed-bed, for the english world, of the idealism inspired by Kant and Hegel, has... more...

CHAPTER I.                "Incubo. Look to the cavalier. What ails he?                      . . . . .               Hostess. And in such good clothes, too!"                        BEAUMONT AND FLETCHER: Love's Pilgrimage.      "Theod. I have a brother—there my last hope!.              Thus... more...

Chapter One. “What! Ned Raymond ahoy! Heave to, lad. What! dost seek to give a wide berth to an old friend? That once was not your wont. Ned Raymond ahoy, I say!” The slight dark moustache on the lip of the person addressed showed that he had just reached the age of manhood. His raven hair hung in ringlets from his head. A black velvet cloak thrown over one shoulder, and a tightly-fitting... more...