Classics Books

CHAPTER IA RATIONAL VOCAL METHODSong, so far as voice-production is concerned, is the result of physiological action, and as voice-production is the basis of all song, it follows that a singing method, to be correct, must be based on the correct physiological use of the vocal organs. The physiology of voice-production lies, therefore, at the very foundation of artistic singing. The proper physiological... more...

Had the author of the following play written it merely for the purpose of winning for it the universal praise which the journals have lavished upon his romances, and which perhaps transcended their merits, The Resources of Quinola would still have been an excellent literary speculation; but, when he sees himself the object of so much praise and so much condemnation, he has come to the conclusion that... more...

CHAPTER I Cherry Strickland came in the door of the Strickland house, and shut it behind her, and stood so, with her hands behind her on the knob, and her slender body leaning forward, and her breath rising and falling on deep, ecstatic breaths. It was May in California, she was just eighteen, and for twenty-one minutes she had been engaged to be married. She hardly knew why, after that last farewell... more...

CHAPTER I y chieftain ancestors had lived at Glandore for many centuries and were very well known. Hardly a ship could pass the Old Head of Kinsale without some boats putting off to exchange the time of day with her, and our family name was on men's tongues in half the seaports of Europe, I dare say. My ancestors lived in castles which were like churches stuck on end, and they drank the best of... more...

AIMS AND THE PLAN The author's main purpose in this book is to teach precision in writing; and of good writing (which, essentially, is clear thinking made visible) precision is the point of capital concern. It is attained by choice of the word that accurately and adequately expresses what the writer has in mind, and by exclusion of that which either denotes or connotes something else. As... more...

CHAPTER I. RELATING HOW I DROVE THROUGH THE VILLAGE OF GYLINGDEN WITH MARK WYLDER'S LETTER IN MY VALISE. It was late in the autumn, and I was skimming along, through a rich English county, in a postchaise, among tall hedgerows gilded, like all the landscape, with the slanting beams of sunset. The road makes a long and easy descent into the little town of Gylingden, and down this we were going at... more...

PREFACE Each man born into the world is born like Shelton in this book—to go a journey, and for the most part he is born on the high road. At first he sits there in the dust, with his little chubby hands reaching at nothing, and his little solemn eyes staring into space. As soon as he can toddle, he moves, by the queer instinct we call the love of life, straight along this road, looking neither to... more...

"Do you know what would happen to him?" NOW state your problem." The man who was thus addressed shifted uneasily on the long bench which he and his companion bestrode. He was facing the speaker, and though very little light sifted through the cobweb-covered window high over their heads, he realized that what there was fell on his features, and he was not sure of his features, or of what... more...

GENERAL INTRODUCTION. There are few amusements more dangerous for an author than the indulgence in ironic descriptions of his own work. If the irony is depreciatory, posterity is but too likely to say, "Many a true word is spoken in jest;" if it is encomiastic, the same ruthless and ungrateful critic is but too likely to take it as an involuntary confession of folly and vanity. But when... more...

INTRODUCTION At sea, about two o'clock in the morning, on a clear night, under a star-lit sky. Yves stood near me on the bridge, and we were talking of the country, so utterly unknown to us both, to which the chances of our destiny were now wafting us. As we were to cast anchor the following day, we enjoyed the state of expectation, and formed a thousand plans. "As for me," I said, "I... more...