Classics Books

Preface It had no instrument panel with push-button controls. It was not operated electronically or jet-propelled. But to many 19th-century people the sewing machine was probably as awe-inspiring as a space capsule is to their 20th-century descendants. It was expensive, but, considering the work it could do and the time it could save, the cost was more than justified. The sewing machine became the... more...

CHAPTER I."Filled with the face of heaven, which from afarComes down upon the waters; all its hues,From the rich sunset to the rising star,Their magical variety diffuse:And now they change: a paler shadow strewsIts mantle o'er the mountains; parting dayDies like the dolphin, whom each pang imbuesWith a new color as it gasps away,The last still loveliest, till--'tis gone--and all is... more...

ACT I. SCENE I.—DONNA ELVIRA, ELIZA. ELVIRA. No, the hidden feelings of my heart were not regulated by choice: whatever the Prince may be, there is nothing in him to make me prefer his love. Don Silvio shows, as well as he, all the qualities of a renowned hero. The same noble virtues and the same high birth made me hesitate whom to prefer. If aught but merit could gain my heart, the conqueror were... more...

Although the Masquerade itself, as a necessary protection against non-telepaths, was not fully formulated until the late years of the Seventeenth Century, groups of telepaths-in-hiding existed long before that date. Whether such groups were the results of natural mutations, or whether they came into being due to some other cause, has not yet been fully determined, but that a group did exist in the... more...

CHAPTER IA FAREWELL BANQUET "D'Aumont!" "Eh? d'Aumont!" The voice, that of a man still in the prime of life, but already raucous in its tone, thickened through constant mirthless laughter, rendered querulous too from long vigils kept at the shrine of pleasure, rose above the incessant babel of women's chatter, the din of silver, china and glasses passing to and fro.... more...

PROLOGUE At the piano a man sat playing the "Revolutionary Étude" of Chopin. The room was magnificent in its proportions, its furnishings were massive, its paneled oak walls were hung with portraits of men and women in the costumes of a bygone day. Through the lofty windows, the casements of which were open to the evening sky there was a vista of forest and meadow-land stretching interminably... more...

CHAPTER I So we settled it all when the storm was doneAs comf'y as comf'y could be;And I was to wait in the barn, my dears,Because I was only three;And Teddy would run to the rainbow's foot,Because he was five and a man;And that's how it all began, my dears,And that's how it all began. —Big Barn Stories. 'WHAT do you think she'd do if she caught us? We oughtn't... more...

BOOK I SYLVIA AS WIFE 1. I am telling the story of Sylvia Castleman. I should prefer to tell it without mention of myself; but it was written in the book of fate that I should be a decisive factor in her life, and so her story pre-supposes mine. I imagine the impatience of a reader, who is promised a heroine out of a romantic and picturesque "society" world, and finds himself beginning with the... more...

A DESCENT ON LONDON On a day in August, in one of those swiftly-moving years which hurried Europe towards the catastrophe awaiting it, there arrived in London a couple of unusual appearance, striking, charming, and amusing. The man was tall, big, and queerly compounded of sensitive beauty and stodgy awkwardness. He entered London with an air of hostility; sniffed distastefully the smells of the... more...

The black-emerald water swirled and broke in many silver gleamings. From the misty center of the pool rose a vast but beautiful head. The long dripping hair was not hair, but had a rippling life of its own. The great lonely eyes and wide scarlet mouth were far more lovely than any human's. The gleaming green shoulders and shapely long arms ended in graceful webbed fingers. The red tipped breasts... more...